Clustering of Indonesian and Western Gamelan Orchestras through Machine Learning of Performance Parameters

Simon Linke, Gerrit Wendt, Rolf Bader
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Abstract

Indonesian and Western gamelan ensembles are investigated with respect to performance differences. Thereby, the often exotistic history of this music in the West might be reflected in contemporary tonal system, articulation, or large-scale form differences. Analyzing recordings of four Western and five Indonesian orchestras with respect to tonal systems and timbre features and using self-organizing Kohonen map (SOM) as a machine learning algorithm, a clear clustering between Indonesian and Western ensembles appears using certain psychoacoustic features. These point to a reduced articulation and large-scale form variability of Western ensembles compared to Indonesian ones. The SOM also clusters the ensembles with respect to their tonal systems, but no clusters between Indonesian and Western ensembles can be found in this respect. Therefore, a clear analogy between lower articulatory variability and large-scale form variation and a more exostistic, mediative and calm performance expectation and reception of gamelan in the West therefore appears.
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通过对演奏参数的机器学习对印度尼西亚和西方加麦兰管弦乐队进行分类
研究印尼和西方的加麦兰乐团在演奏方面的差异。因此,这种音乐在西方的外来历史可能会反映在当代的音调系统、发音或大尺度的形式差异上。通过分析四支西方管弦乐队和五支印尼管弦乐队的录音的音调系统和音色特征,并使用自组织 Kohonen 地图(SOM)作为机器学习算法,印尼和西方乐团之间通过某些回声特征出现了明显的聚类。这些特征表明,与印尼语合奏相比,西方合奏的发音和大尺度形式变异性较低。因此,较低的发音变异性和大尺度的形式变异性与西方对加麦兰更多的外向型、调解型和平静型的表演期待和接受之间出现了明显的类比。
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