TRANSFORMING PRACTICE WITH DIGITAL SCORES: DEVELOPMENTS AND CHALLENGES IN A TRANSCONTINENTAL RESIDENCY

IF 0.5 4区 艺术学 0 MUSIC Tempo Pub Date : 2024-08-28 DOI:10.1017/s0040298224000044
Jaslyn Robertson, Solomiya Moroz, Cat Hope, Craig Vear, Iran Sanadzadeh, Helen Svoboda, Chloë Sobek
{"title":"TRANSFORMING PRACTICE WITH DIGITAL SCORES: DEVELOPMENTS AND CHALLENGES IN A TRANSCONTINENTAL RESIDENCY","authors":"Jaslyn Robertson, Solomiya Moroz, Cat Hope, Craig Vear, Iran Sanadzadeh, Helen Svoboda, Chloë Sobek","doi":"10.1017/s0040298224000044","DOIUrl":null,"url":null,"abstract":"This article examines how practice-based researchers in a transcontinental intensive residency transformed their practice and developed their skills through composing digital scores. Four researchers from an Australian university undertook an intensive residency in Hamburg, focused on creating and performing new digital scores. An analytical study of this residency was conducted, centred around each researcher's connection to the materials, experiences of flow, changes in digital musicianship and transformations. The study revealed both challenges and illuminating experiences for the researchers. Each composition went through significant changes during, before and after the transcontinental project, resulting in changes to the digital scores, directions for interpretation and the researchers’ established artistic practices. Exposure to new environments and facilities allowed them to develop fresh approaches to collaboration and technology. Engaging with digital scores led to new skills being developed and new collaborative projects with each other and international musicians. The intensive and transcontinental nature of the project resulted in significant developments to the skills and approaches of the four researchers.","PeriodicalId":22355,"journal":{"name":"Tempo","volume":"26 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2024-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Tempo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s0040298224000044","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0

Abstract

This article examines how practice-based researchers in a transcontinental intensive residency transformed their practice and developed their skills through composing digital scores. Four researchers from an Australian university undertook an intensive residency in Hamburg, focused on creating and performing new digital scores. An analytical study of this residency was conducted, centred around each researcher's connection to the materials, experiences of flow, changes in digital musicianship and transformations. The study revealed both challenges and illuminating experiences for the researchers. Each composition went through significant changes during, before and after the transcontinental project, resulting in changes to the digital scores, directions for interpretation and the researchers’ established artistic practices. Exposure to new environments and facilities allowed them to develop fresh approaches to collaboration and technology. Engaging with digital scores led to new skills being developed and new collaborative projects with each other and international musicians. The intensive and transcontinental nature of the project resulted in significant developments to the skills and approaches of the four researchers.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
用数字乐谱改变实践:跨洲实习的发展与挑战
这篇文章探讨了以实践为基础的研究人员如何在跨洲集中驻留期间通过创作数字乐谱来改变他们的实践并发展他们的技能。来自澳大利亚一所大学的四名研究人员在汉堡进行了一次集中驻留,重点是创作和表演新的数字乐谱。围绕每位研究人员与材料的联系、流动的体验、数字音乐的变化和转型,对这次驻留进行了分析研究。这项研究揭示了研究人员所面临的挑战和具有启发性的经验。在横跨大陆的项目期间、之前和之后,每首作品都经历了重大变化,导致数字乐谱、诠释方向和研究人员既定的艺术实践都发生了变化。接触新的环境和设施使他们能够开发新的合作和技术方法。在接触数字乐谱的过程中,研究人员开发了新的技能,并与其他研究人员和国际音乐家开展了新的合作项目。该项目的密集性和跨洲性使四位研究人员的技能和方法得到了重大发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Tempo
Tempo MUSIC-
CiteScore
0.30
自引率
0.00%
发文量
91
审稿时长
19 weeks
期刊介绍: Tempo is the premier English-language journal devoted to twentieth-century and contemporary concert music. Literate and scholarly articles, often illustrated with music examples, explore many aspects of the work of composers throughout the world. Written in an accessible style, approaches range from the narrative to the strictly analytical. Tempo frequently ventures outside the acknowledged canon to reflect the diversity of the modern music scene. Issues feature interviews with leading composers, a tabulated news section, and lively and wide-ranging reviews of recent recordings, books and first performances around the world. Selected issues also contain specially-commissioned music supplements.
期刊最新文献
‘I AM A TEXTURAL COMPOSER’: JANE STANLEY ON THE CREATIVE PROCESS, IMMERSIVE TEXTURES, GLOW AND A NEW SONG CYCLE THINKING ALOUD: THE SOLILOQUY CYCLE MOVEMENTS OF A MUSICIAN WORKING: PHILL NIBLOCK (1933–2024) PROPORTION AND SYMMETRY AS MUTUAL ANTAGONISTS IN TUNING: SOME QUARTER-TONE RESOURCES HABITUS, RESISTANCE AND THE PRODUCTION OF MUSICAL MEANING
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1