The Fences: A webcomic on collective debt and ruination in Paraguay

IF 0.5 3区 社会学 Q3 ANTHROPOLOGY Australian Journal of Anthropology Pub Date : 2024-09-18 DOI:10.1111/taja.12495
Enrique Bernardou, David Bueno, Caroline E. Schuster
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Abstract

The Fences: A webcomic on collective debt and ruination in Paraguay is a production of the Australian-Paraguayan comics studio CómicsClub comprised of anthropologist and writer Caroline E. Schuster and artists Enrique Bernardou and David Bueno. This webcomic began as an anthropological fieldwork study of climate financing - that is, novel financial arrangements that address the emerging weather-related risks to human communities of global warming, deforestation, and mass extinction. As we enter an era of ‘global weirding’ characterised by strange and extreme weather, insurance companies have welcomed the opportunity to cast themselves as financial ‘first responders,’ offering coverage for drought, floods, bushfires, and other so-called secondary perils that cost billions of dollars annually in property damage and reconstruction costs. The webcomic tells this story through interactive sequential art. Through branching timelines and ‘what if?’ scenarios, the project recuperates a critical speculative imagination and offers alternatives to financial modes of ‘buying the future.’

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栅栏关于巴拉圭集体债务和毁灭的网络漫画
栅栏:关于巴拉圭集体债务和毁灭的网络漫画是澳大利亚-巴拉圭漫画工作室 CómicsClub 的作品,该工作室由人类学家兼作家卡罗琳-E-舒斯特(Caroline E. Schuster)、艺术家恩里克-贝尔纳多(Enrique Bernardou)和大卫-布埃诺(David Bueno)组成。这幅网络漫画的起点是对气候融资的人类学实地研究,即通过新颖的金融安排来应对全球变暖、森林砍伐和大规模物种灭绝给人类社会带来的与天气有关的新风险。随着我们进入一个以奇异和极端天气为特征的 "全球怪异 "时代,保险公司很高兴有机会将自己塑造成金融 "第一响应者",为干旱、洪水、丛林火灾和其他所谓的次生灾害提供保险,这些灾害每年造成数十亿美元的财产损失和重建成本。该网络漫画通过互动连环画讲述了这个故事。通过分支时间线和 "如果 "场景,该项目恢复了一种批判性的投机想象力,并为 "购买未来 "的金融模式提供了替代方案。
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来源期刊
CiteScore
1.50
自引率
12.50%
发文量
38
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Issue Information Editorial The Fences: A webcomic on collective debt and ruination in Paraguay Fire's habit: Elemental media and the politics of apprehension Filming jilba: Sensing beyond the exclusionary fictions of climate science
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