Evaluating audio quality ratings and scene analysis performance of hearing-impaired listeners for multi-track music.

IF 1.2 Q3 ACOUSTICS JASA express letters Pub Date : 2024-11-01 DOI:10.1121/10.0032474
Aravindan Joseph Benjamin, Kai Siedenburg
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Abstract

This study assessed musical scene analysis (MSA) performance and subjective quality ratings of multi-track mixes as a function of spectral manipulations using the EQ-transform (% EQT). This transform exaggerates or reduces the spectral shape changes in a given track with respect to a relatively flat, smooth reference spectrum. Data from 30 younger normal hearing (yNH) and 23 older hearing-impaired (oHI) participants showed that MSA performance was robust to changes in % EQT. However, audio quality ratings elicited from yNH participants were more sensitive to % EQT than those of oHI participants. A significant positive correlation between MSA performance and quality ratings among oHI showed that oHI participants with better MSA performances gave higher-quality ratings, whereas there was no significant correlation for yNH listeners. Overall, these data indicate the complementary virtue of measures of MSA and audio quality ratings for assessing the suitability of music mixes for hearing-impaired listeners.

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评估听力受损听众对多轨音乐的音频质量评级和场景分析性能。
本研究评估了音乐场景分析(MSA)性能和多轨混音的主观质量评分,作为使用均衡器变换(% EQT)进行频谱处理的函数。相对于相对平坦、平滑的参考频谱,这种变换可夸大或缩小特定音轨中的频谱形状变化。来自 30 名听力正常的年轻人(yNH)和 23 名听力受损的老年人(oHI)的数据显示,MSA 的表现对 EQT 百分比的变化很稳定。然而,与 oHI 参与者相比,yNH 参与者的音频质量评分对 EQT 百分比更为敏感。oHI 听众的 MSA 表现与音质评分之间存在明显的正相关,表明 MSA 表现较好的 oHI 听众给出的音质评分较高,而 yNH 听众则没有明显的相关性。总之,这些数据表明,在评估音乐混音是否适合听障听众时,MSA 和音频质量评分的测量方法具有互补性。
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