Subcultural Representations of Perpetrators and Victims of Crime and Violence Associated with Mental Disorders

Fabian Pavez , Erika Saura , Pedro Marset
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Abstract

Introduction and objectives

The beliefs and opinions of the general population are based substantially on mass media, which often equates mental disorders with violence and criminality. These stigmatising depictions contribute to the development and persistence of negative attitudes towards people with psychiatric conditions. The objective was to examine, through popular music, the subcultural representations of crime and violence in the context of mental disorders, focusing on depictions of victims and offenders.

Methods

Strategy of analysis: Content analysis of Spanish punk lyrics (1981-2010) with references to violent and criminal behaviour associated with mental disorders.

Results

257 Spanish punk bands were identified. The discographies included 7,777 songs, of which 190 were related to aggression, violence, or crime. A predilection for violent crimes and descriptions of the perpetrator as “mentally disturbed” was observed. Although they were present, psychotic symptoms were not the main psychiatric symptoms associated with violent crime, but instead it was substance use, antisocial personality traits and paraphilic behaviour. There was less attention paid to victims than to perpetrators.

Conclusions

The relationships between mental disorders and criminality/violence are overemphasised in the analysed subculture. A positive connotation of social deviance and violent content (particularly serial murder) in service to the provocative nature of this type of music was observed.
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与精神障碍相关的犯罪和暴力的肇事者和受害者的亚文化表征。
引言和目标:一般民众的信仰和意见主要基于大众传媒,而大众传媒往往将精神障碍与暴力和犯罪等同起来。这些污名化的描述助长了对精神疾病患者的消极态度的发展和持续。目的是通过流行音乐,审查在精神障碍背景下犯罪和暴力的亚文化表现形式,重点是对受害者和罪犯的描绘。方法:分析策略:西班牙朋克歌词(1981-2010)的内容分析,参考与精神障碍相关的暴力和犯罪行为。结果:共识别出257支西班牙朋克乐队。这些唱片包括7777首歌曲,其中190首与侵略、暴力或犯罪有关。我们观察到人们对暴力犯罪的偏爱,并将犯罪者描述为“精神失常”。虽然存在精神病症状,但它们并不是与暴力犯罪相关的主要精神病症状,而是药物使用、反社会人格特征和性反常行为。对受害者的关注少于对肇事者的关注。结论:在分析的亚文化中,精神障碍与犯罪/暴力之间的关系被过分强调。社会偏差和暴力内容(特别是连环谋杀)的积极内涵服务于这种类型的音乐的挑衅性被观察到。
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