Creativity and Body: Living Metaphors in the Context of People Undergoing Heart Transplantation.

IF 1.1 4区 心理学 Q4 PSYCHOLOGY, BIOLOGICAL Integrative Psychological and Behavioral Science Pub Date : 2025-01-06 DOI:10.1007/s12124-024-09879-z
Marina Assis Pinheiro, Juliano Victor Luna, Alicia Navarro Dias de Souza
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Abstract

This article explores the embodied dimension of authoring life trajectories for individuals who have undergone heart transplantation. Confronting the radical otherness of existential finitude can create a rich context for examining the relationships between authorship, corporeality, and creative processes. By integrating Merleau-Ponty's phenomenology of the body with Susanne Langer's theory of affective semiosis and presentational signs, this work aims to foster a productive dialogue between these perspectives, grounded in Semiotic Cultural Psychology, which meta-theoretically synthesizes a diverse range of knowledge on the transformative interaction between individuals and culture. The article presents three participants' cases, selected for their ideographic expressiveness, as empirical evidence that both enlivens and enriches this study's theoretical and epistemological foundations. The fragments of participants' elaborations were derived from individual interviews conducted at the IMIP heart transplant clinic between 2022 and 2023. IMIP is a university hospital located in Recife. The interviewees were adults who had undergone transplantation at least one year prior. The discussion of the reports highlights three interpretative axes: (a) embodied ambiguities and tensions experienced; (b) living metaphors and potential presentational signs regarding life trajectories; (c) ways of referencing the future and temporality of experiences felt intensely in the present and their methods of reconstructing the past. The interpretative analysis of participants' metaphors aims to shed light on the role of corporeality in the construction of meaning and, consequently, in the creative perspective of life and the sense of authorship when facing the alterity, in this case, specifically of illness and consecutive heart transplantation. This article seeks to contribute to studying affective semiosis and corporeality in Cultural Psychology by highlighting its hermeneutic relevance as a critical feature of the human cultural construction of the self, others, and the world.

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创造力与身体:心脏移植患者的生活隐喻。
本文探讨了心脏移植患者创作生命轨迹的具体维度。面对存在有限性的根本差异性,可以为研究作者身份、肉体和创作过程之间的关系创造一个丰富的背景。通过将梅洛-庞蒂的身体现象学与苏珊·兰格的情感符号学和表象符号理论相结合,本研究旨在促进这些观点之间的富有成效的对话,以符号学文化心理学为基础,该理论综合了个人与文化之间变革互动的各种知识。本文提出了三个参与者的案例,选择他们的表意表达,作为经验证据,既活跃和丰富了本研究的理论和认识论基础。参与者详细阐述的片段来自2022年至2023年在IMIP心脏移植诊所进行的个人访谈。IMIP是位于累西腓的一所大学医院。受访者为至少一年前接受过移植手术的成年人。对报告的讨论突出了三个解释轴:(a)具体的含糊不清和经历的紧张;(b)关于生活轨迹的活生生的隐喻和潜在的表象符号;(c)参照未来和当下强烈感受的经验的暂时性的方法,以及他们重建过去的方法。对参与者的隐喻进行解释性分析,旨在阐明物质性在意义构建中的作用,从而在面对另类(在这种情况下,特别是疾病和连续的心脏移植)时,以创造性的角度看待生活和作者感。本文旨在通过强调情感符号学与人类自我、他人和世界文化建构的解释学相关性,为研究文化心理学中的情感符号学和物质性做出贡献。
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来源期刊
CiteScore
2.50
自引率
16.70%
发文量
66
期刊介绍: IPBS: Integrative Psychological & Behavioral Science is an international interdisciplinary journal dedicated to the advancement of basic knowledge in the social and behavioral sciences. IPBS covers such topics as cultural nature of human conduct and its evolutionary history, anthropology, ethology, communication processes between people, and within-- as well as between-- societies. A special focus will be given to integration of perspectives of the social and biological sciences through theoretical models of epigenesis. It contains articles pertaining to theoretical integration of ideas, epistemology of social and biological sciences, and original empirical research articles of general scientific value. History of the social sciences is covered by IPBS in cases relevant for further development of theoretical perspectives and empirical elaborations within the social and biological sciences. IPBS has the goal of integrating knowledge from different areas into a new synthesis of universal social science—overcoming the post-modernist fragmentation of ideas of recent decades.
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