Sequential film marketing in China: The study of social platforms and their impacts

IF 7.2 Digital Business Pub Date : 2025-06-01 Epub Date: 2025-01-28 DOI:10.1016/j.digbus.2025.100107
Yuntsai Chou , Wei Lin
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Abstract

Because the Chinese movie market is regarded as the second-largest market worldwide, with digital advertising accounting for more than 50 % of a film's total expenditure, exploring the marketing effects of social platforms on box office performance in China is crucial for Hollywood studios. In this study, we defined a sequential process consisting of two marketing modes: broadcast before theatrical release and electronic word of mouth (eWOM) after release. The broadcast and eWOM modes were proxied by the volume and valence attributes of Maoyan and Douban, the two popular and professional platforms for video entertainment.
Volume and valence on Maoyan and Douban were found to influence gross revenue, but volume on Maoyan has the highest predictive power. Marketing on Maoyan is primarily broadcast marketing, whereas that on Douban is only eWOM marketing. Additionally, Hollywood hits depend on sequential marketing to succeed. Distributors should allocate resources to increase the volume on Maoyan before a movie is released and volume and valence on Douban after its release.
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中国电影序贯营销:社交平台及其影响研究
由于中国电影市场被视为全球第二大市场,数字广告占电影总支出的50%以上,因此探索社交平台对中国票房表现的营销效果对好莱坞电影公司至关重要。在本研究中,我们定义了一个由两种营销模式组成的顺序过程:影院上映前的广播和上映后的电子口碑(eom)。直播和eom模式由猫眼和豆瓣这两大热门专业视频娱乐平台的体量和价格属性来代表。猫眼网和豆瓣网的成交量和价对总营收有影响,但猫眼网的成交量对总营收的预测能力最强。猫眼的营销主要是直播营销,豆瓣的营销主要是eom营销。此外,好莱坞大片的成功依赖于连续营销。发行商应该分配资源,在电影上映前增加猫眼的量,在电影上映后增加豆瓣的量和价。
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