{"title":"US television’s expanding modes of industrial practice","authors":"Amanda D Lotz","doi":"10.1177/17496020251327086","DOIUrl":null,"url":null,"abstract":"The multifaceted change in series production and distribution since the turn of the century has diversified industrial structures and, correspondingly, expanded the scope of commercially viable storytelling. This expansion has introduced variation that has made it difficult to make claims of television series to the extent once possible. This article identifies ‘modes of industrial practice’ as a heuristic for subcategorizing series based on differentiated industrial conditions that better enables the identification of consistent subfields of series.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"183 1","pages":""},"PeriodicalIF":0.9000,"publicationDate":"2025-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/17496020251327086","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
The multifaceted change in series production and distribution since the turn of the century has diversified industrial structures and, correspondingly, expanded the scope of commercially viable storytelling. This expansion has introduced variation that has made it difficult to make claims of television series to the extent once possible. This article identifies ‘modes of industrial practice’ as a heuristic for subcategorizing series based on differentiated industrial conditions that better enables the identification of consistent subfields of series.
期刊介绍:
Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.