Non-disruptive streaming: Aesthetic and industrial continuation of legacy television in Prime Video Mexico

IF 1.1 2区 艺术学 0 FILM, RADIO, TELEVISION Critical Studies in Television Pub Date : 2025-03-14 DOI:10.1177/17496020251327096
Guillermo Echauri
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Abstract

This article examines Prime Video’s original comedy content in Mexico through aesthetic and industrial analysis, and identifies, describes and explains non-disruptive streaming television programming, a category of streaming television content that represents a clear sense of continuity with legacy television. This study highlights the relevance of Mexican actor and producer Eugenio Derbez and his family in Prime Video’s expansion in Mexico. It also reveals that non-disruptive streaming prolongs tensions between continuity and change in television, exemplifies the negotiations and adaptations from transnational streaming expansion, and helps explain the mainstream adoption of streaming platforms in markets like Mexico.
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非破坏性流媒体:墨西哥 Prime Video 中传统电视的美学和工业延续
本文通过美学和工业分析考察了Prime Video在墨西哥的原创喜剧内容,并识别、描述和解释了非破坏性流媒体电视节目,这是一类流媒体电视内容,代表了与传统电视的明显连续性。这项研究强调了墨西哥演员兼制片人Eugenio Derbez和他的家人在Prime Video在墨西哥的扩张中的相关性。它还揭示了非破坏性流媒体延长了电视连续性和变化之间的紧张关系,体现了跨国流媒体扩张的谈判和适应,并有助于解释流媒体平台在墨西哥等市场的主流采用。
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来源期刊
Critical Studies in Television
Critical Studies in Television FILM, RADIO, TELEVISION-
CiteScore
2.10
自引率
30.00%
发文量
70
期刊介绍: Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.
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