Factors influencing use of hearing protection by trumpet players.

Mead C Killion
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引用次数: 19

Abstract

Although a great many brass players, and trumpet players in particular, successfully use high-fidelity earplugs, others report problems with their use. This article discusses factors that may discourage a brass player from using hearing protection: These include (a) a lack of acclimatization time; (b) a loss of "fortissimo blare" from the aural distortion generated by the 110- to 120-dB SPL produced at the open ear with fortissimo playing; (c) a shallow earmold seal, leading to a large occlusion effect; (d) a poor seal combined with incorrect acoustic mass in the sound channel; and (e) hearing loss where many harmonic overtones of even moderately loud playing may become inaudible with earplugs to a lifelong trumpet player with high-frequency hearing loss. The limitations imposed by each of these can usually be overcome with modifications of the hearing protection device (HPD) or with acclimatization time, allowing a lifetime of playing without the all-too-common "musicians' hearing loss" and/or tinnitus. A review of these factors helps to delineate some of the perceptual issues that musicians may have with any change in the spectrum of their instrument-whether it is related to attenuation or amplification.

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影响小号手使用听力保护的因素。
尽管很多铜管乐手,尤其是小号乐手,成功地使用了高保真度耳塞,但也有一些人报告了使用耳塞的问题。本文讨论了可能阻碍铜管乐手使用听力保护的因素:这些因素包括(a)缺乏适应时间;(b)“强音轰鸣”的损失,是由于在打开的耳朵播放强音时所产生的110至120分贝声级所造成的听觉失真;(c)耳模封浅,导致遮挡效果大;(d)密封不良,同时声道内的声质量不正确;(e)听力损失,对于一个终生吹小号的人来说,即使是中等音量的演奏,戴上耳塞也可能听不到许多谐波的泛音。这些限制通常可以通过修改听力保护装置(HPD)或适应时间来克服,允许终生演奏而不会出现常见的“音乐家听力损失”和/或耳鸣。对这些因素的回顾有助于描述音乐家在乐器的频谱变化时可能遇到的一些感知问题——无论是与衰减还是放大有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Trends in Amplification
Trends in Amplification AUDIOLOGY & SPEECH-LANGUAGE PATHOLOGY-OTORHINOLARYNGOLOGY
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>12 weeks
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