{"title":"Is Affectivity Passive or Active?","authors":"Robert Zaborowski","doi":"10.1007/s11406-017-9926-9","DOIUrl":null,"url":null,"abstract":"<p><p>In this paper I adopt Aquinas' explanation of passivity and activity by means of acts remaining in the agent and acts passing over into external matter. I use it to propose a divide between immanent-type and transcendent-type acts. I then touch upon a grammatical distinction between three kinds of verbs. To argue for the activity and passivity of affectivity I refer to the group that includes acts of transcendent-type and whose verbs in both voices possess affective meaning. In the end I focus on cases in which an act of affective <i>f</i>-ing is mirrored in its object as being affectively <i>f</i>-ed.</p>","PeriodicalId":74436,"journal":{"name":"Philosophia (Ramat-Gan, Israel)","volume":"46 3","pages":"541-554"},"PeriodicalIF":0.0000,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1007/s11406-017-9926-9","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Philosophia (Ramat-Gan, Israel)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1007/s11406-017-9926-9","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"2017/12/5 0:00:00","PubModel":"Epub","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
In this paper I adopt Aquinas' explanation of passivity and activity by means of acts remaining in the agent and acts passing over into external matter. I use it to propose a divide between immanent-type and transcendent-type acts. I then touch upon a grammatical distinction between three kinds of verbs. To argue for the activity and passivity of affectivity I refer to the group that includes acts of transcendent-type and whose verbs in both voices possess affective meaning. In the end I focus on cases in which an act of affective f-ing is mirrored in its object as being affectively f-ed.