Music Stimuli for Mindfulness Practice: A Replication Study.

IF 1.9 3区 医学 Q1 Arts and Humanities Journal of Music Therapy Pub Date : 2021-06-14 DOI:10.1093/jmt/thaa018
Eugenia Hernandez-Ruiz, Abbey L Dvorak
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引用次数: 7

Abstract

Mindfulness is a natural human capacity to be aware of the present moment, without judgment, rejection, or attachment to it. Cultivating a mindful state has been related to improvements in mood and stress management. Mindfulness practices may be enhanced with music. The purpose of this study was to replicate a previous study regarding the effectiveness, preference, and usefulness of different auditory stimuli for mindfulness practice. Undergraduate nonmusicians (N = 53) listened to 4 different auditory stimuli of increasing complexity, guiding them in a mindfulness experience. Participants rated their mindfulness experience, provided data on their absorption in music, and ranked auditory stimuli according to preference and usefulness for mindfulness practice. A within-subjects design was used to compare the four conditions, counterbalanced, and randomized across participants. Similar to the original study, Friedman analysis of variances (ANOVAs) and post hoc analyses indicated that participants ranked the Melody and Harmony conditions as most preferred and useful. Different from the original results, the repeated-measures ANOVA of the Mindful Attention Awareness Scale scores did not reveal significant differences among auditory stimuli for mindfulness experience. These results provide support for the use of music in mindfulness experiences with a mildly complex stimulus (script, beat, harmony, and melody). However, partially replicated results indicate the need to investigate the discrepancy between participants' effectiveness ratings and preference/usefulness rankings.

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正念练习的音乐刺激:一项重复性研究。
正念是一种自然的人类能力,能够意识到当下的时刻,不去评判、拒绝或依恋它。培养一种正念状态与改善情绪和压力管理有关。音乐可以增强正念练习。本研究的目的是重复先前关于不同听觉刺激对正念练习的有效性、偏好和有用性的研究。非音乐家的本科学生(N = 53)听了4种不同的越来越复杂的听觉刺激,引导他们进入正念体验。参与者对他们的正念体验进行了评分,提供了他们对音乐的吸收情况,并根据对正念练习的偏好和有用性对听觉刺激进行了排名。使用受试者内设计来比较四种情况,平衡和随机化参与者。与最初的研究类似,弗里德曼方差分析(anova)和事后分析表明,参与者将旋律和和声条件列为最受欢迎和最有用的条件。与原始结果不同的是,正念注意意识量表得分的重复测量方差分析没有发现听觉刺激对正念体验的显著差异。这些结果为在轻度复杂刺激(剧本、节拍、和声和旋律)的正念体验中使用音乐提供了支持。然而,部分重复的结果表明,需要调查参与者的有效性评级和偏好/有用性排名之间的差异。
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来源期刊
Journal of Music Therapy
Journal of Music Therapy REHABILITATION-
CiteScore
3.50
自引率
5.30%
发文量
13
期刊最新文献
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