Patterns of noise exposure and prevalence of hearing loss amongst Cape Town Minstrel Carnival musicians.

IF 1 Q3 AUDIOLOGY & SPEECH-LANGUAGE PATHOLOGY SOUTH AFRICAN JOURNAL OF COMMUNICATION DISORDERS Pub Date : 2021-05-31 DOI:10.4102/sajcd.v68i1.789
Lebogang Ramma
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Abstract

Background: Cape Town Minstrel Carnival is one of the oldest and most authentic indigenous New Year's customs in South Africa. Musicians who perform at this carnival are exposed to excessively loud music and therefore at a risk of acquiring noise-induced hearing loss (NIHL).

Objectives: This study aimed to determine patterns of exposure to loud music and prevalence of hearing loss amongst Cape Town Minstrel Carnival musicians.

Method: A descriptive, observational exploratory survey design was used and 43 participants (21 males and 22 females; mean age, 21 ± 9 years) took part in this study. Sound level measurements were conducted to assess musicians' sound exposure during rehearsals and performances. All participants underwent the following audiological test battery at least 2 h before music exposure: Case history, otoscopic examination, tympanometry, pure tone audiometry and distortion products otoacoustic emission (DPOAE).

Results: Average noise levels recorded were 86 dBA during rehearsals and 98.7 dBA at performances and average durations of exposure were 240 and 10 min at rehearsals and performances, respectively. One out of 43 (1/43) participants presented with sensorineural hearing loss. Audiometric results of the remaining participants were normal and did not show a pattern suggestive of NIHL. A high proportion of participants (21/43) reported experiencing tinnitus.

Conclusion: Despite being exposed to high levels of noise, there was a low prevalence of hearing loss amongst these musicians. However, a high proportion of them reported tinnitus, which could be an indication that they were at a high risk of NIHL from the music that they played.

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开普敦吟游诗人嘉年华音乐家的噪音暴露模式和听力损失的流行。
背景:开普敦吟游诗人狂欢节是南非最古老、最正宗的土著新年习俗之一。在这个嘉年华上表演的音乐家们暴露在噪音过大的音乐中,因此有患噪音性听力损失的风险。目的:本研究旨在确定大声音乐的暴露模式和开普敦吟游诗人嘉年华音乐家中听力损失的患病率。方法:采用描述性、观察性、探索性调查设计,共纳入43人(男21人,女22人;平均年龄(21±9岁)。声级测量是用来评估音乐家在排练和演出时的声音暴露。所有参与者在音乐暴露前至少2小时接受以下听力学测试:病史、耳镜检查、鼓室测量、纯音测听和失真产物耳声发射(DPOAE)。结果:排练时的平均噪音水平为86 dBA,演出时的平均噪音水平为98.7 dBA,排练和演出时的平均暴露时间分别为240和10分钟。1/43的参与者表现为感音神经性听力损失。其余参与者的听力测试结果正常,没有显示出提示NIHL的模式。高比例的参与者(21/43)报告有耳鸣。结论:尽管这些音乐家暴露在高水平的噪音中,但听力损失的患病率很低。然而,他们中有很高比例的人报告有耳鸣,这可能表明他们所演奏的音乐对NIHL有很高的风险。
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来源期刊
SOUTH AFRICAN JOURNAL OF COMMUNICATION DISORDERS
SOUTH AFRICAN JOURNAL OF COMMUNICATION DISORDERS AUDIOLOGY & SPEECH-LANGUAGE PATHOLOGY-
CiteScore
2.10
自引率
36.40%
发文量
37
审稿时长
30 weeks
期刊最新文献
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