Annotation Guideline No. 8: Annotation Guidelines for Narrative Levels

Q1 Arts and Humanities Journal of Cultural Analytics Pub Date : 2020-01-15 DOI:10.22148/001c.11773
Adam Hammond
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Abstract

I first became aware of the SANTA project at the Digital Humanities conference inMontreal in the summer of 2017. I had just been assigned a 90-student secondyear undergraduate Digital Humanities undergraduate English Literature class, set to begin in January 2018,1 and I was looking for a group annotation project for my students. In previous iterations of the course, I had carried out several annotation projects focused on the narrative phenomenon of free indirect discourse (FID) in texts by Virginia Woolf and James Joyce.2 What made these projects successful, from my perspective, was that FID is a complex phenomenon (by definition, a passage in which it is difficult or impossible to say for certain whether a character or narrator is speaking certain words) which is however relatively easy to represent in machine language (for instance, with the TEI element and a few value-attribute pairs). The challenge in the assignment, in other words, was literary rather than technical: while it was easy to learn the TEI tagging, it
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注释指南8:叙述关卡的注释指南
我第一次意识到圣诞老人项目是在2017年夏天在蒙特利尔举行的数字人文会议上。我刚刚被分配了一个90名学生的本科二年级数字人文本科英语文学课程,定于2018年1月开始,我正在为我的学生寻找一个小组注释项目。在之前的课程迭代中,我进行了几个注释项目,重点关注弗吉尼亚·伍尔夫和詹姆斯·乔伊斯文本中的自由间接语篇(FID)叙事现象。2在我看来,这些项目成功的原因是FID是一个复杂的现象(从定义上讲,一段很难或不可能确定一个角色或叙述者是否在说某些话的段落),但是用机器语言表示相对容易(例如,使用TEI元素和一些值-属性对)。换句话说,作业中的挑战是文字上的而不是技术上的:虽然学习TEI标记很容易,但它很难
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来源期刊
Journal of Cultural Analytics
Journal of Cultural Analytics Arts and Humanities-Literature and Literary Theory
CiteScore
2.90
自引率
0.00%
发文量
9
审稿时长
10 weeks
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