‘A New Career’: nostalgia, mortality, and David Bowie’s ‘I Can’t Give Everything Away’

IF 1.5 Q1 CULTURAL STUDIES Journal for Cultural Research Pub Date : 2021-10-02 DOI:10.1080/14797585.2021.2024057
Alice Masterson
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Abstract

ABSTRACT David Bowie’s swansong album Blackstar occupies a unique position in its proximity to the artist’s death: just two days. It thus provides an opportunity to examine how music, nostalgia, and mortality interact. Combining study into the links between music and nostalgia and analysis of use of quotation, I propose a reading of a ‘dual effect’ in which the track ‘I Can’t Give Everything Away’ explores themes of nostalgia and mortality whilst encouraging nostalgic feeling in its audiences. The article contributes to an understanding of how a musician’s death can alter audience interaction with their music, and how music itself can reflect mortality.
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《新事业》:怀旧、死亡和大卫·鲍伊的《我不能放弃一切》
大卫·鲍伊的绝唱专辑《黑星》在他离世的两天内占据了一个独特的位置。因此,它提供了一个机会来研究音乐、怀旧和死亡是如何相互作用的。结合对音乐与怀旧之间联系的研究以及对引用的分析,我提出了一种“双重效应”的解读,其中曲目“我不能放弃一切”探索了怀旧和死亡的主题,同时鼓励了观众的怀旧情绪。这篇文章有助于理解音乐家的死亡如何改变听众与音乐的互动,以及音乐本身如何反映死亡。
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来源期刊
Journal for Cultural Research
Journal for Cultural Research CULTURAL STUDIES-
CiteScore
1.40
自引率
0.00%
发文量
23
期刊介绍: JouJournal for Cultural Research is an international journal, based in Lancaster University"s Institute for Cultural Research. It is interested in essays concerned with the conjuncture between culture and the many domains and practices in relation to which it is usually defined, including, for example, media, politics, technology, economics, society, art and the sacred. Culture is no longer, if it ever was, singular. It denotes a shifting multiplicity of signifying practices and value systems that provide a potentially infinite resource of academic critique, investigation and ethnographic or market research into cultural difference, cultural autonomy, cultural emancipation and the cultural aspects of power.
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