{"title":"Book Review: Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars","authors":"Catalina Iordache","doi":"10.1177/17496020231160816","DOIUrl":null,"url":null,"abstract":"television exists for everyone. By attending to the diversity of television and the experiences of those watching, Holdsworth breaks down hierarchies of value and challenges the dominance of “quality” television within television studies. A landmark book that will undoubtedly be a foundational text and a catalyst for further research, On Living with Television offers its reader a much-needed alternate perspective on what it means to watch and live with television.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"227 - 229"},"PeriodicalIF":0.9000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/17496020231160816","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
television exists for everyone. By attending to the diversity of television and the experiences of those watching, Holdsworth breaks down hierarchies of value and challenges the dominance of “quality” television within television studies. A landmark book that will undoubtedly be a foundational text and a catalyst for further research, On Living with Television offers its reader a much-needed alternate perspective on what it means to watch and live with television.
期刊介绍：
Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.
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