"A Numerous and Powerful Generation of Triflers": The Social Edition as Counterpublic in Charlotte Lennox's the Lady's Museum (1760–61) and the Lady's Museum Project (2021–)

IF 0.4 3区 文学 0 LITERATURE Eighteenth-Century Fiction Pub Date : 2023-04-01 DOI:10.3138/ecf.35.2.287
Kelly Plante, Karenza Sutton-Bennett
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Abstract

Abstract:The Lady's Museum (1760–61) "by the Author of The Female Quixote" was an important early magazine primarily edited and written by the influential eighteenth-century author Charlotte Lennox. In this essay, we describe our theoretical and methodological approaches to editing, publishing, teaching, learning, and thinking with Lennox and our teams of co-workers in the Lady's Museum Project, the first critical and digital social edition of the periodical (at Ladysmuseum.com). We update this proto-feminist text in an intersectional feminist bibliographical praxis designed to encourage teamwork, flatten user/editor relationships, and create a dynamic audio and visual version of the text to accommodate multiple learning modes. This essay highlights the social edition as a counterpublic and posits Lennox's notion of "trifling" as a digital humanities methodology.
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“众多而强大的一代传单”:夏洛特·伦诺克斯女士博物馆的社会版(1760–61)和女士博物馆项目(2021–)
摘要:《女性吉诃德》作者的《女士博物馆》(1760–61)是一本重要的早期杂志,主要由18世纪有影响力的作家夏洛特·伦诺克斯编辑和撰写。在这篇文章中,我们与Lennox和我们在女士博物馆项目中的同事团队一起描述了我们在编辑、出版、教学、学习和思考方面的理论和方法论方法,该期刊的第一个批判性和数字社会版(位于Ladysmuseum.com)。我们在跨部门的女权主义书目实践中更新了这篇原始女权主义文本,旨在鼓励团队合作,扁平化用户/编辑关系,并创建文本的动态音频和视觉版本,以适应多种学习模式。本文强调社会版是一种反公众,并将伦诺克斯的“琐碎”概念定位为一种数字人文方法论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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发文量
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