{"title":"The deceptive absence of Arabic in Nadir Moknèche’s Viva Laldjérie","authors":"Ziad Bentahar","doi":"10.3828/FRANC.2019.5","DOIUrl":null,"url":null,"abstract":"Nadir Mokneche’s Viva Laldjerie (2003) is one of a number of films that mark as well as chronicle the turn of a new leaf in Algeria. It was shot in Algiers at the onset of the twenty-first century,...","PeriodicalId":53133,"journal":{"name":"Francospheres","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/FRANC.2019.5","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Francospheres","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/FRANC.2019.5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Nadir Mokneche’s Viva Laldjerie (2003) is one of a number of films that mark as well as chronicle the turn of a new leaf in Algeria. It was shot in Algiers at the onset of the twenty-first century,...
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