An Aesthetic View to the Relationship between Art and Economical Options or Theoretical Analysis of “Art Economics” through the “Impressionism” Perspective

Q4 Economics, Econometrics and Finance Iranian Economic Review Pub Date : 2020-08-04 DOI:10.22059/IER.2020.77272
A. Boroujerdi
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Abstract

A philosophical and aesthetic view to the relationship between art and the economical options or the blending of reason and imagination in the field of relationship between ideas of art and the evolution of economics hasn’t been under survey so far; while this kind of attitude to “art economics” has concerned lots of importance. Usually, in surveying of subjects related to “art economy”, valuating of artworks and the subjects related to the artistic – cultural products representation has been picked a lot of attention. In addition, in subjects related to art economy, paying attention to the works of economic of every artworks art is been concerned in an artistic field which created by such a complicated organization of artistic – cultural – economic and social actors and the media, interpreters, expositive distributers, users, government and private organizations and so on has a specific function in it. But the artist’s aesthetic perspective to the audience in creating different genres and styles by paying attention to his/her own taste in creating an artistic style which end to look deeply in “culture” and intensifies “the economical – social development” and finally, creates “relationship between art and economics ideology and their mutual effects on each other on the aesthetic perspective”, hasn’t been under survey.[1] In this article I have been tried by involving imagination and mind around the relationship between “impressionism” and “economics”, clarify its blind corners on the aspect of “aesthetic”. In addition, the focus was on this which to determine the relationship between mind and economical options on the impressionism ideology and to reveal its relationship with economics evolution. The goal of this study is that so I could eventually and step by step, manifest the unclear layers of mind or paradigms dominated on economics theories and its intellectual and cultural frames on the ideology of artistic impressionism with such an aesthetic vision.   [1]- Rahimi Boroujerdi, Alireza, "Aesthetics of Economics Or An Aesthetics View to the Revolution of Economic Man’s Thoughts & Conducts From Ancient Greece To New Era", Donyaye Eghtesad Pub., 2016
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艺术与经济选择关系的美学观照&“印象派”视角下的“艺术经济学”理论分析
关于艺术与经济选择之间的关系,或者在艺术思想与经济进化之间的关系领域中理性与想象的融合,迄今为止还没有一种哲学和美学的观点;而这种对“艺术经济学”的态度也引起了人们的重视。通常,在“艺术经济”相关主题的调查中,艺术品和艺术文化产品表现相关主题的评估受到了很多关注。此外,在与艺术经济相关的学科中,关注每一件艺术品的经济作品——艺术是由这样一个由艺术-文化-经济和社会行动者组成的复杂组织所创造的艺术领域,媒体、口译员、传播者、用户、政府和私人组织等在其中具有特定的作用。但是,艺术家在创作不同流派和风格时对观众的审美视角,通过关注自己的品味来创造一种艺术风格,最终深入“文化”,强化“经济社会发展”,创造了“艺术与经济意识形态之间的关系及其在美学角度上的相互影响”,这一点尚未得到研究。[1] 本文试图围绕“印象主义”与“经济学”的关系,介入想象与思维,厘清其在“美学”方面的盲点。此外,本文还着重探讨了印象主义意识形态中思维与经济选择的关系,揭示了其与经济进化的关系。这项研究的目的是,让我最终能够以这样的审美眼光,一步一步地将经济学理论所主导的思想或范式的不清晰层次及其在艺术印象派意识形态上的智力和文化框架表现出来。[1]-Rahimi Boroujerdi,Alireza,“从古希腊到新时期经济人思想和行为革命的经济学美学或美学观”,Donyaye Eghtesad Pub。,2016
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来源期刊
Iranian Economic Review
Iranian Economic Review Economics, Econometrics and Finance-Economics, Econometrics and Finance (all)
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