Resilience as a Form of Contestation in Langston Hughes' Early Poetry

Q2 Arts and Humanities Miscelanea Pub Date : 2019-11-28 DOI:10.26754/ojs_misc/mj.20196289
A. Fernández Alonso, María Amor Barros del Río
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引用次数: 1

Abstract

The history of the African American community has been inexorably bound to the concepts of oppression, downgrading, racism, hatred and trauma. Although the association between racism and concomitant negative psychological outcome has been widely assessed, little work has been done to study the role of literature as a cultural means to promote resilience among this oppressed group. Langston Hughes (1902-1967) stands out as a novelist, poet and playwright, and is one of the primary contributors to the Harlem Renaissance movement. Following the framework of theories of resilience, this article analyses the representation of adversity and positive adaptation in Langston Hughes’s early stage poetry, and assesses his contribution to resilience among the African American people at a time of hardship and oppression.
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弹性是兰斯顿·休斯早期诗歌中的一种竞争形式
非裔美国人社区的历史与压迫、降级、种族主义、仇恨和创伤等概念密不可分。尽管种族主义与随之而来的负面心理结果之间的联系已经得到了广泛的评估,但很少有人研究文学作为一种文化手段在促进这一受压迫群体复原力方面的作用。兰斯顿·休斯(1902-1967)是一位杰出的小说家、诗人和剧作家,也是哈莱姆文艺复兴运动的主要贡献者之一。本文在复原力理论的框架下,分析了兰斯顿·休斯早期诗歌中逆境和积极适应的表现,并评价了他在困难和压迫时期对非裔美国人复原力的贡献。
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来源期刊
Miscelanea
Miscelanea Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
12
审稿时长
32 weeks
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