Intervenciones afectivas al archivo materno en "La caja Topper" de Nicolás Gadano

IF 0.1 0 LITERATURE Anclajes Pub Date : 2021-09-02 DOI:10.19137/anclajes-2021-25318
Mariela Peller
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Abstract

: Through the study of the autobiographical novel La caja Topper by Nicolás Gadano (2019), this article addresses the uses of the archive in the narratives of the children of victims –in a broad sense– of the last Argentine military dictatorship. Follow - ing the theoretical propositions of Jacques Derrida, Sara Ahmed, and Adriana Cavarero, we analyze the interventions that Gadano makes on the objects that his mother kept in a sneaker box as memorabilia of the family exile experience. First, we study the way in which the old box and the objects contained in it function as a matriarchive. Second, we analyze the operations that Gadano performs on the materiality, content, and ordering of the objects in the box, which produces a generational transfer of authority over the archive. Finally, we conclude that, through his fidelity to the maternal affective style, the author disassembles the traditional model of emotional labor division, reshaping the links between gender, generations, and memory.
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nicolas Gadano的《La caja Topper》中对母亲档案的情感干预
通过对Nicolás Gadano(2019)的自传体小说La caja Topper的研究,本文讨论了档案在广义上的阿根廷最后一次军事独裁时期受害者儿童叙事中的用途。根据雅克·德里达、萨拉·艾哈迈德和阿德里亚娜·卡瓦雷罗的理论命题,我们分析了加达诺对他母亲作为家庭流亡经历纪念品保存在运动鞋盒子里的物品的干预。首先,我们研究了旧盒子和其中包含的物体作为矩阵档案的方式。其次,我们分析Gadano对盒子中对象的物质性、内容和顺序所执行的操作,这些操作产生了对档案的代际权力转移。最后,作者通过对母性情感风格的忠实,解构了传统的情感分工模型,重塑了性别、代际和记忆之间的联系。
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Anclajes
Anclajes LITERATURE-
CiteScore
0.40
自引率
0.00%
发文量
31
审稿时长
48 weeks
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