Polish Indian Hobbyists and Cultural Appropriation

Q2 Arts and Humanities Studia Anglica Posnaniensia Pub Date : 2018-12-01 DOI:10.2478/stap-2018-0017
Elżbieta Wilczyńska
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引用次数: 2

Abstract

Abstract This article attempts to describe the Polish-American Friends Movement (PAIFM) in the context of cultural appropriation. It first describes the history of the movement by linking it to the phenomenon of playing Indian, which started in the United States in the colonial period and then was transplanted to Europe in the late 19th century. Subsequently, it briefly presents the history of the Polish hobbyism movement in Poland, pointing out the historical, social, and psychological circumstances of its development. In the next part it defines the concept of cultural appropriation and its main types according to James Young (2010). The last part is devoted to a detailed analysis of different forms of activities of the PAIFM, especially the annual week gathering, as observed by the author during the 40th gathering of Polish Indian enthusiasts in 2016. Different types of cultural appropriation and an array of consequences resulting from such a positioning are discussed. In this paper it is argued that the negative undertones of the concept obscure the complexity of the movement as a cultural phenomenon and its multiple links with Native American cultures and their present political and cultural situation.
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波兰印第安爱好者和文化挪用
摘要本文试图在文化挪用的背景下描述波兰裔美国人之友运动。它首先描述了这场运动的历史,将其与扮演印第安人的现象联系起来,这种现象始于殖民时期的美国,然后在19世纪末移植到欧洲。随后,简要介绍了波兰霍比主义运动在波兰的历史,指出了其发展的历史、社会和心理环境。在下一部分中,根据James Young(2010)对文化挪用的概念及其主要类型进行了界定。最后一部分详细分析了PAIFM的不同形式的活动,特别是作者在2016年第40届波兰-印度爱好者聚会上观察到的年度周聚会。讨论了不同类型的文化挪用以及这种定位所产生的一系列后果。本文认为,这一概念的负面含义掩盖了这场运动作为一种文化现象的复杂性,以及它与美洲原住民文化及其当前政治和文化状况的多重联系。
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来源期刊
Studia Anglica Posnaniensia
Studia Anglica Posnaniensia Arts and Humanities-Literature and Literary Theory
CiteScore
0.60
自引率
0.00%
发文量
7
审稿时长
15 weeks
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