{"title":"Invisible Ink","authors":"Abigail Ralph","doi":"10.33137/cq.v6i2.36927","DOIUrl":null,"url":null,"abstract":"\n\n\nThere is a gap in academic literature that highlights the perspectives of Canadian-Caribbean individuals that navigate both poverty and the stigma of limited access to resources necessary for livelihood in Canada. By employing the intersecting identities of Low-Income and (un)documentation, this poem aims to deconstruct the stereotypical expectations of Canadian-Caribbean immigrants. What does an impoverished Canadian-Caribbean immigrant look like once we’ve disregarded our representativeness heuristic? They now may be the straight-A student in your class or that lady that never seems to wear an uncoordinated outfit – or perhaps your lecturer or community organizer who has an undying passion for 19th-century opera. By mobilizing this idea, this poem seeks to encourage the reader to reconsider our pre-conceived notions of an (un)documented, impoverished Canadian-Caribbean individual. Similarly, this poem challenges the notion that to exist, is contingent on external perceptions. A tree in the Northwest Territories may exist unknowingly to us and still be able to blow gracefully in the wind.\n\n\n","PeriodicalId":34856,"journal":{"name":"Caribbean Quilt","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Caribbean Quilt","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33137/cq.v6i2.36927","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
There is a gap in academic literature that highlights the perspectives of Canadian-Caribbean individuals that navigate both poverty and the stigma of limited access to resources necessary for livelihood in Canada. By employing the intersecting identities of Low-Income and (un)documentation, this poem aims to deconstruct the stereotypical expectations of Canadian-Caribbean immigrants. What does an impoverished Canadian-Caribbean immigrant look like once we’ve disregarded our representativeness heuristic? They now may be the straight-A student in your class or that lady that never seems to wear an uncoordinated outfit – or perhaps your lecturer or community organizer who has an undying passion for 19th-century opera. By mobilizing this idea, this poem seeks to encourage the reader to reconsider our pre-conceived notions of an (un)documented, impoverished Canadian-Caribbean individual. Similarly, this poem challenges the notion that to exist, is contingent on external perceptions. A tree in the Northwest Territories may exist unknowingly to us and still be able to blow gracefully in the wind.