{"title":"And the Mural Came Down: Race, Removal, and Reckoning in the Sunshine City","authors":"A. Wasserman","doi":"10.1080/00043079.2022.2070398","DOIUrl":null,"url":null,"abstract":"Abstract In 1966 Joseph Waller and other members of the Student Nonviolent Coordinating Committee removed George Snow Hill’s Picnicking at Pass-a-Grille (1945) from St. Petersburg, Florida’s, City Hall. For more than two decades, the mural had hung alongside its pendant, Hill’s Fishing on the Pier (1945). Together, the paintings offered a vision of civic progress that denied Black audiences full participation in public life. Yet even in its absence, Picnicking at Pass-a-Grille troubles the present. The Sunshine City’s deferred reckoning with its public artworks and urban projects of racial oppression is a local history with national resonances.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"104 1","pages":"95 - 119"},"PeriodicalIF":0.4000,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ART BULLETIN","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00043079.2022.2070398","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
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Abstract
Abstract In 1966 Joseph Waller and other members of the Student Nonviolent Coordinating Committee removed George Snow Hill’s Picnicking at Pass-a-Grille (1945) from St. Petersburg, Florida’s, City Hall. For more than two decades, the mural had hung alongside its pendant, Hill’s Fishing on the Pier (1945). Together, the paintings offered a vision of civic progress that denied Black audiences full participation in public life. Yet even in its absence, Picnicking at Pass-a-Grille troubles the present. The Sunshine City’s deferred reckoning with its public artworks and urban projects of racial oppression is a local history with national resonances.
期刊介绍：
The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December
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