The History of the Unfortunate Lady Grange: Gothic Exhumations of a Concealed Scottish Fate

IF 0.2 N/A HUMANITIES, MULTIDISCIPLINARY Gothic Studies Pub Date : 2022-03-01 DOI:10.3366/gothic.2022.0119
A. Wright
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Abstract

Forgotten, concealed histories can return with a vengeance to haunt the imagination of a nation. This article explores the seldom-discussed history of the abduction, long-term imprisonment and falsified burial of Lady Grange, who was kidnapped from Edinburgh by allies of her estranged husband, and then slowly transported to St Kilda where she spent the following nine years. It is a tale upon which James Boswell commented when he toured Scotland with Samuel Johnson, and which, in the wake of Boswell's commentary, entered the Gothic imaginary, first through the romances of Ann Radcliffe. Although marital imprisonment was sadly all too widespread during the eighteenth century, with numerous sources to choose from, the history of Lady Grange, blocked for four decades after her death, returned to haunt the pages of romances and periodical articles in the eighteenth and nineteenth centuries. After examining what James Boswell wrote about Lady Grange, the article focuses on two romances of Ann Radcliffe, her 1789 The Castles of Athlin and Dunbayne and her 1790 A Sicilian Romance. The article then looks at William Erskine's 1798 Epistle from Lady Grange and concludes by reflecting upon the unblocking of the story in the nineteenth-century periodical press.
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《不幸的田庄夫人的历史:哥特式挖掘隐藏的苏格兰命运》
被遗忘的、被隐藏的历史会以复仇的方式回归,萦绕在一个国家的想象中。这篇文章探讨了很少被讨论的格兰奇夫人的绑架、长期监禁和假葬的历史,她被她分居的丈夫的盟友从爱丁堡绑架,然后慢慢地转移到圣基尔达,在那里度过了接下来的九年。詹姆斯·博斯韦尔和塞缪尔·约翰逊在苏格兰旅行时评论过这个故事,在博斯韦尔的评论之后,这个故事首先通过安·拉德克利夫的浪漫小说进入了哥特式的想象。尽管婚姻监禁在18世纪非常普遍,有许多可供选择的资料,但在她死后四十年被封锁的田庄夫人的历史,在18、19世纪的浪漫小说和期刊文章中又出现了。在研究了詹姆斯·博斯韦尔所写的关于格兰奇夫人的文章之后,本文将重点放在安·雷德克里夫的两部爱情小说上,即1789年的《阿特林城堡与邓巴恩》和1790年的《西西里浪漫》。这篇文章接着看了威廉·厄斯金1798年的《画眉山庄夫人的书信》,并以反思19世纪期刊出版社对这个故事的破解作为结论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Gothic Studies
Gothic Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
22
期刊介绍: The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. Gothic Studies opens a forum for dialogue and cultural criticism, and provides a specialist journal for scholars working in a field which is today taught or researched in academic institutions around the globe. The journal invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are studies of works across the range of media, beyond the written word.
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