Artists’ Frames in Pâte Coulante: History, Design, and Method

IF 0.2 2区 艺术学 N/A ART METROPOLITAN MUSEUM JOURNAL Pub Date : 2021-01-01 DOI:10.1086/718042
Peter Mallo
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Abstract

Paris and London, methods for presenting exhibitions were undergoing a major reconsideration, and frames from this era began to take on a new role both visually and conceptually. This development was driven by artists to indicate that their works represented a new kind of vision. Many original frames have disappeared from the walls of private collections and museums, but it is possible to piece together concept and approach through photographs, treatises, drawings, catalogues, and a few precious extant frames. This study focuses on artistdesigned frames at the end of the nineteenth century with a particular emphasis on a material known as pâte coulante, unique in its ability to render extraordinary profiles, some of which could not have been realized by any Artists’ Frames in Pâte Coulante: History, Design, and Method
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Pâte Coulante的艺术家框架:历史、设计和方法
在巴黎和伦敦,展示展览的方法正在经历重大的反思,这个时代的框架开始在视觉和概念上扮演新的角色。这种发展是由艺术家推动的,以表明他们的作品代表了一种新的视野。许多原始画框已经从私人收藏和博物馆的墙壁上消失了,但是可以通过照片,论文,图纸,目录和一些珍贵的现存画框来拼凑概念和方法。本研究的重点是19世纪末艺术家设计的框架,特别强调一种被称为特库伦特(pte coulante)的材料,它具有独特的能力,可以呈现出非凡的轮廓,其中一些是任何艺术家在《特库伦特:历史、设计和方法》中都无法实现的
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