Utopias of the Text: Pre-Figurations of the Post-Literary

IF 0.5 0 LITERARY THEORY & CRITICISM CounterText-A Journal for the Study of the Post-Literary Pub Date : 2019-05-14 DOI:10.3366/COUNT.2019.0148
Benjamin Noys
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引用次数: 2

Abstract

Utopias of the text are the moments of the emergence of a new and radical concept of the text as overflowing all limits and boundaries. Here these utopias are traced in the writings of Roland Barthes, Jacques Derrida, and Michel Foucault. They often emerge at the margins of these texts, in fragments or boundaries at which the utopia can be glimpsed before disappearing. These utopian moments can be reconstructed as a form of thinking the post-literary and its limits. They can also be traced to the explosion of speech during May 1968 and Maurice Blanchot is a key figure who links together this political moment with the ‘neutral’ form of writing. This article explores the fading of these utopias of the text alongside this draining of political energies. These processes of critique and waning suggest the inversion of utopias of the text into dystopias of the text. Now the sign or signifier appears dispersed or even insignificant compared to the powers and forces of post-literary domination. In this situation, however, the article suggests, the persistence of the utopias of the text as a critical horizon that can still inform how we grasp the equivocations of our post-literary moment.
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文本的乌托邦:后文学的先兆
文本的乌托邦是一种新的激进的文本概念出现的时刻,它超越了所有的限制和界限。这些乌托邦在罗兰·巴特、雅克·德里达和米歇尔·福柯的著作中都有记载。它们经常出现在这些文本的边缘,在乌托邦消失之前,可以瞥见它们的片段或边界。这些乌托邦时刻可以被重构为一种思考后文学及其局限的形式。它们也可以追溯到1968年5月的言论爆发,莫里斯·布朗肖是将这一政治时刻与“中性”写作形式联系在一起的关键人物。这篇文章探讨了随着政治能量的枯竭,这些文本乌托邦的衰落。这些批判和衰落的过程表明文本的乌托邦向文本的反乌托邦的反转。现在,与后文学统治的权力和力量相比,符号或能指显得分散,甚至微不足道。然而,本文认为,在这种情况下,文本乌托邦作为一种批判性视界的坚持,仍然可以告诉我们如何把握我们后文学时代的模棱两可。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
24
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