“Not Welcome Here”: Biological versus Postbiological in Lem’s Space Operas

IF 0.2 4区 文学 0 LITERATURE SCIENCE-FICTION STUDIES Pub Date : 2023-02-15 DOI:10.1353/sfs.2023.0002
M. Ćirković
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引用次数: 0

Abstract

ABSTRACT:This essay offers a technocentric perspective on two space operas by Stanisław Lem, The Invincible (1966) and Fiasco (1987), novels that span much of his creative career. As an evolutionary philosopher, Lem was decades ahead of his time in recognizing the idea of postbiological evolution and how technology shapes it. Pivoting around this central theory, Lem shows how our understanding of mind in the universe is narrow and anthropocentric, while engineering and the design space of evolution act as fixed Archimedean points.
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“这里不受欢迎”:莱姆太空歌剧中的生物与后生物
摘要:本文以技术为中心,对Stanisław Lem创作生涯中的两部太空小说《无敌》(1966)和《惨败》(1987)进行了分析。作为一名进化哲学家,莱姆在认识到后生物进化的概念以及技术如何塑造它方面领先了他的时代几十年。莱姆以这一中心理论为中心,展示了我们对宇宙中心灵的理解是多么狭隘和以人类为中心,而工程学和进化的设计空间则是固定的阿基米德点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
75
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