Illustrations for Our Time

Q3 Arts and Humanities Canadian-American Slavic Studies Pub Date : 2023-08-14 DOI:10.30965/22102396-05703005
V. Kivelson
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引用次数: 0

Abstract

This article examines how the Black Death is represented visually in the Illustrated Chronicle Compilation (Litsevoi letopisnyi svod), a many-tomed account of the history of Russia compiled and lavishly illustrated at the court of Ivan the Terrible in the 1560s or 1570s. Illustrators and chroniclers depicted ordinary plague victims differently from those of high rank. Lofty individuals, like Grand Prince Semen Ivanovich and his sons, were shown apart from the mass deaths and their deaths were not explicitly attributed to plague. This may be because plague was understood as divine punishment. Nonetheless, the illustrations show the common humanity of plague victims. Illustrators also expressed an appreciation of the organic connections between human and natural spheres and the fragile relations between the two.
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我们这个时代的插图
这篇文章探讨了黑死病是如何在《图解编年史汇编》(Litsevoi letopisnyi svod)中被视觉化地呈现出来的。《图解编年史汇编》是一部多卷本的俄罗斯历史记录,在1560年代或1570年代由伊凡雷帝的宫廷编纂和大量插图。插图画家和编年史家对普通瘟疫受害者的描述与高级别的受害者不同。像伊万诺维奇大公和他的儿子们这样的大人物,他们的死亡并没有被明确地归因于瘟疫。这可能是因为瘟疫被理解为神的惩罚。尽管如此,这些插图展示了鼠疫受害者的共同人性。插图画家还表达了对人类与自然领域之间有机联系以及两者之间脆弱关系的欣赏。
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来源期刊
Canadian-American Slavic Studies
Canadian-American Slavic Studies Arts and Humanities-History
CiteScore
0.20
自引率
0.00%
发文量
19
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