{"title":"Romantic nationhood","authors":"Bayu Kristianto","doi":"10.1080/13639811.2021.1952019","DOIUrl":null,"url":null,"abstract":"ABSTRACT Directed by Rizal Mantovani, the film 5cm (2012) tells the story of a group of five young Jakartans united by friendship. To test the strength of their friendship, one group member, Genta, suggests that they refrain from seeing each other for three months. At the end of this no-contact period, they climb Mount Semeru, the highest mountain in Java, and prove again the resilience of their comradeship. It is a motivational film targeted at young nature lovers which reminds the Indonesian youth of the need to love their country and its beautiful landscape. Drawing on each member’s testimony of love and devotion to the Indonesian nation-state after witnessing first-hand the breathtaking wonder of Mount Semeru, I argue that the film demonstrates the subsuming of the natural environment under the power of the state, using Yi-Fu Tuan’s conception of romantic geography. This analysis demonstrates how portraying nationalism romantically advocates a superficial allegiance to the nation-state and negates the sovereignty of the land.","PeriodicalId":44721,"journal":{"name":"Indonesia and the Malay World","volume":"49 1","pages":"412 - 428"},"PeriodicalIF":0.7000,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13639811.2021.1952019","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Indonesia and the Malay World","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/13639811.2021.1952019","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
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Abstract
ABSTRACT Directed by Rizal Mantovani, the film 5cm (2012) tells the story of a group of five young Jakartans united by friendship. To test the strength of their friendship, one group member, Genta, suggests that they refrain from seeing each other for three months. At the end of this no-contact period, they climb Mount Semeru, the highest mountain in Java, and prove again the resilience of their comradeship. It is a motivational film targeted at young nature lovers which reminds the Indonesian youth of the need to love their country and its beautiful landscape. Drawing on each member’s testimony of love and devotion to the Indonesian nation-state after witnessing first-hand the breathtaking wonder of Mount Semeru, I argue that the film demonstrates the subsuming of the natural environment under the power of the state, using Yi-Fu Tuan’s conception of romantic geography. This analysis demonstrates how portraying nationalism romantically advocates a superficial allegiance to the nation-state and negates the sovereignty of the land.
期刊介绍：
Indonesia and the Malay World is a peer-reviewed journal that is committed to the publication of scholarship in the arts and humanities on maritime Southeast Asia. It particularly focuses on the study of the languages, literatures, art, archaeology, history, religion, anthropology, performing arts, cinema and tourism of the region. In addition to welcoming individual articles, it also publishes special issues focusing on a particular theme or region. The journal is published three times a year, in March, July, and November.
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