{"title":"Pop Art and Anglo-American Art Criticism: Against Bourgeois Propaganda in the Sphere of Art","authors":"T. Yureva, C. Lodder","doi":"10.1080/17561310.2020.1876830","DOIUrl":null,"url":null,"abstract":"Abstract Based on her reading of the survey of Pop Art, edited by Lucy Lippard (1966) and the Time-Life book American Painting 1900 − 1970 (1971), the Soviet art historian Tatyana Yureva analyzes US Pop art, seeing in it a perfectly comprehensible movement of 1960s postmodernism, emerging from the local political culture with its own precise rules and well-defined creative aspirations. Although firmly grounded on a Marxist analysis, her account served to introduce US Pop art to the Soviet Russian public and confirmed the broadening interests of the Russian readers on the eve of perestroika.","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"12 1","pages":"385 - 396"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17561310.2020.1876830","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art in Translation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17561310.2020.1876830","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
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Abstract
Abstract Based on her reading of the survey of Pop Art, edited by Lucy Lippard (1966) and the Time-Life book American Painting 1900 − 1970 (1971), the Soviet art historian Tatyana Yureva analyzes US Pop art, seeing in it a perfectly comprehensible movement of 1960s postmodernism, emerging from the local political culture with its own precise rules and well-defined creative aspirations. Although firmly grounded on a Marxist analysis, her account served to introduce US Pop art to the Soviet Russian public and confirmed the broadening interests of the Russian readers on the eve of perestroika.
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