Vine-workers of the Lord: a Reading of the Runic Sequence and Imagery of the Tollemache Orosius Flyleaf

Tom Birkett
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Abstract

The flyleaf to the Tollemache Orosius (London, British Library, Add. MS 47967, 1r) which includes a vine-scroll panel, symbols of the four evangelists, and several smaller notes and sketches, constitutes one of the most extensive sequences of manuscript marginalia to survive from Early Medieval England. Its iconographical complexity is compounded by the inclusion of a sequence of sixteen runes that has long puzzled runologists. This article offers a contextual interpretation of the Tollemache Orosius runic sequence informed by the wider corpus of English runica manuscripta and the particular iconographical, literary and manuscript context in which the runic note appears. Elucidating the link between the runes and the surrounding imagery helps to unravel the iconographical scheme of the flyleaf, centred on the Vineyard of the Lord. It also provides an insight into the reception of the Old English Orosius in late-tenth-century Winchester and the importance of the layered meaning of the vinea domini motif for both monastic communities and the secular church.
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主的葡萄园工人:读托勒马切奥罗修斯飞叶的符文序列和意象
Tollemache Orosius的扉页(伦敦,大英图书馆,Add.MS 47967,1r)包括一个藤蔓卷轴板、四位福音传道者的象征以及几个较小的注释和草图,构成了中世纪早期英格兰现存最广泛的手稿边缘序列之一。它的图像复杂性因包含16个符文序列而加剧,这一直困扰着符文学家。本文根据更广泛的英语符文手稿语料库以及符文注释出现的特定图像学、文学和手稿背景,对Tollemache Orosius符文序列进行了上下文解释。阐明符文和周围图像之间的联系有助于解开以主葡萄园为中心的小叶的图像设计方案。它还深入了解了十世纪末温彻斯特对古英语Orosius的接受,以及vinea domini主题的分层意义对修道院社区和世俗教会的重要性。
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