Digital Printing in Contemporary Art. A review for conservation decision-making

IF 0.4 N/A HUMANITIES, MULTIDISCIPLINARY Conservar Patrimonio Pub Date : 2020-05-13 DOI:10.14568/cp2019028
Iraia Anthonisen-Añabeitia, Itxaso Maguregui Olabarria
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引用次数: 0

Abstract

Art uses the contemporary tools developed at the time, because of their material and conceptual possibilities. Comparing with other media, computers and output devices have transformed our society and culture in the last decades more than ever. These resources offered an interesting research path for artists, generating consideration and discussion concerning its use and conservation. On this regard this paper focuses on two main aspects: the materials employed to produce digital prints (technologies, inks, substrates, finishing and mounting) and conservation issues such as terminology concerns, documentation and recording, long-term stability, and reproduction matters. Clear standards are needed in order to guarantee the conservation of these artworks, representative of this century.
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当代艺术中的数字印刷——保护决策综述
艺术使用了当时发展起来的当代工具,因为它们具有材料和概念的可能性。与其他媒体相比,计算机和输出设备在过去几十年里比以往任何时候都更能改变我们的社会和文化。这些资源为艺术家提供了一条有趣的研究道路,引发了对其使用和保护的思考和讨论。在这方面,本文侧重于两个主要方面:用于制作数字印刷品的材料(技术、油墨、基底、整理和安装)和保护问题,如术语问题、文件和记录、长期稳定性和复制问题。需要明确的标准来保证这些具有本世纪代表性的艺术品的保护。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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