{"title":"Gender politics, UK jazz festivals and COVID-19: Maintaining the momentum of change during a time of crisis","authors":"S. Raine","doi":"10.1558/jazz.43395","DOIUrl":null,"url":null,"abstract":"Music festivals offer a valuable glimpse into the state of the current musical landscape. Through them we can follow the career trajectories of particular artists, spot genre trends and divergences, identify connections and differences, and make sense of emerging scenes. Equally, music festivals lay bare the continued inequalities that exist;inclusions and absences are starkly visible in festival line-ups, and marketing and communications provide inspiration for public debate and the fuel for change. For scholars, festivals offer a context through which to examine the complex politics of music, condensed into a specific time and place yet engaging with global trends and debates, with international artists and audiences, with the past and the future, all within the economic and social context of the music industries. From spring 2020, we could clearly plot through music festivals the global impact of the COVID-19 pandemic on live music as we have previously known it, the government-driven lockdowns and social distancing regulations bringing an abrupt halt to live performance and threatening the existence of many music festivals. This period of disruption extended also to the outreach, education, artist development, fundraising, partnership working, and overall strategies of festival teams, to include festival-driven and global attempts to address significant issues relating to access and diversity within the music industries. This article explores gender politics from the stage of UK jazz festivals and considers the momentum of gender-focused initiatives during a period of international crisis.","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jazz Research Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/jazz.43395","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 1
Abstract
Music festivals offer a valuable glimpse into the state of the current musical landscape. Through them we can follow the career trajectories of particular artists, spot genre trends and divergences, identify connections and differences, and make sense of emerging scenes. Equally, music festivals lay bare the continued inequalities that exist;inclusions and absences are starkly visible in festival line-ups, and marketing and communications provide inspiration for public debate and the fuel for change. For scholars, festivals offer a context through which to examine the complex politics of music, condensed into a specific time and place yet engaging with global trends and debates, with international artists and audiences, with the past and the future, all within the economic and social context of the music industries. From spring 2020, we could clearly plot through music festivals the global impact of the COVID-19 pandemic on live music as we have previously known it, the government-driven lockdowns and social distancing regulations bringing an abrupt halt to live performance and threatening the existence of many music festivals. This period of disruption extended also to the outreach, education, artist development, fundraising, partnership working, and overall strategies of festival teams, to include festival-driven and global attempts to address significant issues relating to access and diversity within the music industries. This article explores gender politics from the stage of UK jazz festivals and considers the momentum of gender-focused initiatives during a period of international crisis.
期刊介绍：
Jazz Research Journal explores a range of cultural and critical views on jazz. The journal celebrates the diversity of approaches found in jazz scholarship and provides a forum for interaction and the cross-fertilisation of ideas. It is a development and extension of The Source: Challenging Jazz Criticism founded in 2004 at the Leeds College of Music. The journal aims to represent a range of disciplinary perspectives on jazz, from musicology to film studies, sociology to cultural studies, and offers a platform for new thinking on jazz. In this respect, the editors particularly welcome articles that challenge traditional approaches to jazz and encourage writings that engage with jazz as a discursive practice. Jazz Research Journal publishes original and innovative research that either extends the boundaries of jazz scholarship or explores themes which are central to a critical understanding of the music, including the politics of race and gender, the shifting cultural representation of jazz, and the complexity of canon formation and dissolution. In addition to articles, the journal features a reviews section that publishes critical articles on a variety of media, including recordings, film, books, educational products and multimedia publications.
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