{"title":"Mapping timing and intensity strategies in drum-kit performance of a simple back-beat pattern","authors":"Guilherme Schmidt Câmara, G. Sioros, A. Danielsen","doi":"10.1080/09298215.2022.2150649","DOIUrl":null,"url":null,"abstract":"ABSTRACT We explored how drummers express a ‘back-beat’ pattern with different timing styles (laid-back, on-beat, pushed) via stroke onset and intensity features. Based on hierarchical clustering analyses and phylogenetic trees, we found three main strategies: (1) ‘general earliness/lateness’, where most instruments are consistently played earlier/later in time relative to a metrical grid; (2) ‘early/late flam’, where at least one instrument is played as a flam; and (3) ‘ambiguously early/late compound sound’, where in a dyad, one instrument is played synchronously with the grid, and the other early/late. Intensity strategies were not used uniformly to exclusively distinguish between laid-back/pushed and on-beat timing.","PeriodicalId":16553,"journal":{"name":"Journal of New Music Research","volume":"51 1","pages":"3 - 26"},"PeriodicalIF":1.1000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of New Music Research","FirstCategoryId":"94","ListUrlMain":"https://doi.org/10.1080/09298215.2022.2150649","RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS","Score":null,"Total":0}
引用次数: 2
Abstract
ABSTRACT We explored how drummers express a ‘back-beat’ pattern with different timing styles (laid-back, on-beat, pushed) via stroke onset and intensity features. Based on hierarchical clustering analyses and phylogenetic trees, we found three main strategies: (1) ‘general earliness/lateness’, where most instruments are consistently played earlier/later in time relative to a metrical grid; (2) ‘early/late flam’, where at least one instrument is played as a flam; and (3) ‘ambiguously early/late compound sound’, where in a dyad, one instrument is played synchronously with the grid, and the other early/late. Intensity strategies were not used uniformly to exclusively distinguish between laid-back/pushed and on-beat timing.
期刊介绍：
The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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