{"title":"Women, Literature, and the Arts of the Countryside in Early Twentieth-Century England by Judith W. Page and Elise L. Smith (review)","authors":"K. Flint","doi":"10.1353/tsw.2022.0014","DOIUrl":null,"url":null,"abstract":"Focusing on eight writers and artists, this book examines the centrality of the countryside to women’s work, creativity, and aspirations in early twentieth-century England. The authors introduce us to figures who should be better known today: educators, artists, novelists, poets, and memoirists. Divided into four parts, with foci on professions and education, the transformation of the countryside, arts and crafts, and dislocation and loss, this book by a literature scholar and an art historian brings an interdisciplinary perspective, providing a unique view of women’s responses to such major issues of the twentieth-century as war, industrialization, modernist ideology, and gender. From Mary Watts’s remarkable pottery to Beatrix Potter’s work as a children’s author and environmentalist to Dora Carrington’s haunting paintings and Vita Sackville-West’s Sissinghurst Castle Garden, this book challenges readers to rethink the early twentiethcentury through the lens of their work.","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":"41 1","pages":"174 - 177"},"PeriodicalIF":0.3000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"TULSA STUDIES IN WOMENS LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/tsw.2022.0014","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
Focusing on eight writers and artists, this book examines the centrality of the countryside to women’s work, creativity, and aspirations in early twentieth-century England. The authors introduce us to figures who should be better known today: educators, artists, novelists, poets, and memoirists. Divided into four parts, with foci on professions and education, the transformation of the countryside, arts and crafts, and dislocation and loss, this book by a literature scholar and an art historian brings an interdisciplinary perspective, providing a unique view of women’s responses to such major issues of the twentieth-century as war, industrialization, modernist ideology, and gender. From Mary Watts’s remarkable pottery to Beatrix Potter’s work as a children’s author and environmentalist to Dora Carrington’s haunting paintings and Vita Sackville-West’s Sissinghurst Castle Garden, this book challenges readers to rethink the early twentiethcentury through the lens of their work.