Redirecting the gaze: Film education in an individualistic era

Abstract

This article offers consideration to an alternative use of film practice and the role of pedagogy in challenging the conception of film as a product and entertainment medium. Instead the authors reflect on the potential of the camera as a tool for facilitating dialogue with communities and individuals, which allows student film-makers to draw on images and representations that challenge the stereotyped and repetitive images generated in mass media. Furthermore, they draw from their own experiences of working with the visual practice (VP) model where the camera is a research tool. As a tool, the camera is used to explore issues in contemporary society and is related to contextual responsibilities and concerns regarding film pedagogy and its connection to enabling social change, with a broader correlation to civil society that aims to promote democratic rights.