Byzantine Intersectionality: Sexuality, Gender and Race in the Middle Ages, by Roland Betancourt

IF 0.4 1区艺术学 0 ART ART BULLETIN Pub Date : 2022-01-02 DOI:10.1080/00043079.2022.1991757

Armin Bergmeier

引用次数: 0

Abstract

disciplines, namely that Byzantium was the medieval Roman Empire, viewed as such by the subjects of the Roman emperors and by their neighbors alike.2 Byzantine Roman identity—as most other prenationalistic identities—was not parsed along the lines of language, ethnicity, skin color, and territory. It was a fluid construct based on shared values and traditions. Ethnicity, culture, and territory were not welded together as our modern post-Enlightenment notions would have us believe.3 Other scholars, mostly historians and

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《拜占庭的交叉性:中世纪的性、性别和种族》，罗兰·贝当古著

学科，即拜占庭是中世纪的罗马帝国，罗马皇帝的臣民和他们的邻居都认为这一点。2拜占庭-罗马身份——就像大多数其他非民族身份一样——并没有按照语言、种族、肤色和领土来分析。这是一个基于共同价值观和传统的流动结构。种族、文化和领土并没有像我们现代后启蒙思想所相信的那样融合在一起。3其他学者，主要是历史学家和

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来源期刊

ART BULLETIN ART-

CiteScore

0.70

自引率

28.60%

发文量

期刊介绍： The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December

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