{"title":"Impact of COVID-19 on the Welsh Music Industries","authors":"Paul Carr","doi":"10.1558/jwpm.23353","DOIUrl":null,"url":null,"abstract":"This article reflects upon an extensive report written by Paul Carr for the Culture, Welsh Language and Communications Committee (CWLCC), a body that recommends policy to Welsh Government and holds it to account. After initially providing a brief historical account of the ways in which the UK and more specifically the Welsh Government responded to the pandemic in terms of generic and targeted support, in addition to how private sector bodies “filled the gaps”, the article discusses how the report’s recommendations resonated with both the CWLCC Turn Up the Volume report and the official Welsh Government response, providing an account of how three distinct narratives (the reports from Carr, the CWLCC and Welsh Government) have been able to improve the prospects of live music stakeholders in Wales.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of World Popular Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/jwpm.23353","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 3
Abstract
This article reflects upon an extensive report written by Paul Carr for the Culture, Welsh Language and Communications Committee (CWLCC), a body that recommends policy to Welsh Government and holds it to account. After initially providing a brief historical account of the ways in which the UK and more specifically the Welsh Government responded to the pandemic in terms of generic and targeted support, in addition to how private sector bodies “filled the gaps”, the article discusses how the report’s recommendations resonated with both the CWLCC Turn Up the Volume report and the official Welsh Government response, providing an account of how three distinct narratives (the reports from Carr, the CWLCC and Welsh Government) have been able to improve the prospects of live music stakeholders in Wales.
期刊介绍：
Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.
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