A Family of Sensibilities: Toward a Relational Design Practice Grounded in Materiality and Embodiment

IF 0.7 3区 艺术学 0 ART Design and Culture Pub Date : 2022-02-18 DOI:10.1080/17547075.2021.2018539
Myriam D. Diatta, R. Goncalves, L. Grocott
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Abstract

Abstract Beyond the industrial design origins of human-centered design, the empathic frame of design thinking, or the democratic convivial tools of co-design, there are nuanced practice considerations for the inter-relational, social practice of designers working with people. This paper specifically considers the affordances of materiality and the reflexive sense-making of embodiment within the sensorial, performative practice of design. This shared theme is explored through auto-ethnographic writing and a poetic line of inquiry that models a novel method for examining this social practice. Taking a reflective stance, the researchers resist the impulse to tidily package insights from six creative practice vignettes into a toolkit or diagram. Instead, the small moments enacted in the practice snapshots reveal a Family of Sensibilities. The collective set of attributes intentionally present a complicated, messy, interpretation of the familial elements that shape a designer’s material, embodied moves when in conversation with people and place.
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感性的家庭:走向以物质性和具体化为基础的关系设计实践
摘要除了以人为中心的设计的工业设计起源、设计思维的移情框架或共同设计的民主欢乐工具之外,设计师与人合作的相互关系的社会实践还有细微的实践考虑。本文特别考虑了物质性的可供性和在设计的感官、表演实践中体现的反射意义。这一共同的主题是通过自动人种学写作和诗意的探索线来探索的,这种探索线为审视这种社会实践提供了一种新颖的方法。研究人员采取反思的立场,抵制将六个创造性实践小插曲中的见解整齐地打包到工具包或图表中的冲动。相反,实践快照中的小时刻揭示了一个情感家族。这套集体属性有意呈现出一种复杂、混乱的解释,即塑造设计师材料的家庭元素,在与人和地方交谈时体现出的动作。
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CiteScore
1.80
自引率
0.00%
发文量
34
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