{"title":"The Transcultural Eros of the Manchester Cāndāyana","authors":"M. Aitken, Allison Busch","doi":"10.1215/1089201x-9987749","DOIUrl":null,"url":null,"abstract":"Abstract:This essay explores a single illustrated manuscript of Maulana Daud’s Sufi narrative the Cāndāyana from the Rylands Library, Manchester, to help make sense of how Sufi poets and the sultanate- period painters who illustrated their verses realized the indigenous aesthetics of eros and the nāyikā.","PeriodicalId":51756,"journal":{"name":"Comparative Studies of South Asia Africa and the Middle East","volume":"42 1","pages":"293 - 308"},"PeriodicalIF":0.8000,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comparative Studies of South Asia Africa and the Middle East","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/1089201x-9987749","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"AREA STUDIES","Score":null,"Total":0}
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Abstract
Abstract:This essay explores a single illustrated manuscript of Maulana Daud’s Sufi narrative the Cāndāyana from the Rylands Library, Manchester, to help make sense of how Sufi poets and the sultanate- period painters who illustrated their verses realized the indigenous aesthetics of eros and the nāyikā.
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