{"title":"Self-somatic authority: Exploring the cultivation of somatic intelligence through a dialogic approach to self-reflection in dance technique learning","authors":"Rachel Rimmer-Piekarczyk","doi":"10.1386/JDSP.10.1.95_1","DOIUrl":null,"url":null,"abstract":"This article contemplates the notion of a ‘self-somatic authority’ by exploring the relationship between dialogue, self-reflection and the cultivation of somatic intelligence. Drawing on Mikhail Bakhtin’s notion of dialogism, and specifically his concepts of ‘authoritative discourse’ and ‘internally persuasive discourse’, the author explores whether a dialogic approach to teaching release-based contemporary dance technique in higher education can enable learners to meaningfully reflect on their practice, subsequently leading to a stronger sense of somatic intelligence. To examine the efficacy of this pedagogical approach, responses from a focus group discussion conducted with a group of first year students who participated in a cycle of action research are examined; the teacher’s reflective journal notes are also analysed. Drawing on the data, the author proposes that a dialogic approach to nurturing self-reflection in the dance technique class constructs a particular kind of somatic-informed pedagogy that not only appears to facilitate ‘self-somatic authority’, but also presents unexpected challenges and contradictions.","PeriodicalId":41455,"journal":{"name":"Journal of Dance & Somatic Practices","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Dance & Somatic Practices","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/JDSP.10.1.95_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}
引用次数: 4
Abstract
This article contemplates the notion of a ‘self-somatic authority’ by exploring the relationship between dialogue, self-reflection and the cultivation of somatic intelligence. Drawing on Mikhail Bakhtin’s notion of dialogism, and specifically his concepts of ‘authoritative discourse’ and ‘internally persuasive discourse’, the author explores whether a dialogic approach to teaching release-based contemporary dance technique in higher education can enable learners to meaningfully reflect on their practice, subsequently leading to a stronger sense of somatic intelligence. To examine the efficacy of this pedagogical approach, responses from a focus group discussion conducted with a group of first year students who participated in a cycle of action research are examined; the teacher’s reflective journal notes are also analysed. Drawing on the data, the author proposes that a dialogic approach to nurturing self-reflection in the dance technique class constructs a particular kind of somatic-informed pedagogy that not only appears to facilitate ‘self-somatic authority’, but also presents unexpected challenges and contradictions.
期刊介绍:
The Journal of Dance and Somatic Practices is an international refereed journal published twice a year. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts. In recent years, somatic practices have become more central to many artists'' work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions. This journal provides a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal serves a broad international community and invites contributions from a wide range of discipline areas. Particular features include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays'', interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.