Speakers Diffident and Speakers Brash in the Athenian Courts

IF 0.2 3区 历史学 N/A CLASSICS Trends in Classics Pub Date : 2022-11-11 DOI:10.1515/tc-2022-0016
Victor Bers
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Abstract

Abstract In many of the surviving Athenian law court speeches, litigants and sunēgoroi claim that, as amateurs, they come to trial at a disadvantage. Occasionally, they acknowledge a reputation for wishing to advance themselves by a display of rhetorical abilities. Whatever stance the speaker takes, these maneuvers add to the complex texture of Attic oratory. We find a remarkable variety of approaches, e. g., Antiphon giving a Lesbian-speaking client an ornate acknowledgment in lightly Ionicized Attic of his rhetorical inadequacy; Lysias posing as a forensic novice when he represents himself; Dinarchus mimicking a speaker at a loss for words; Lycurgus warning the jury that the defendant will (mis)represent himself as an amateur under attack by a malicious prosecutor. And the orator who has, however falsely, spoken to his audience of his own sense of formidable rhetorical challenge might thereby be better prepared to improvise his response to his opponents’ speeches. Alcidamas, champion of improvisation, would be sympathetic.
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雅典法庭上的讲话者羞怯与讲话者傲慢
在许多现存的雅典法庭演讲中,诉讼当事人和sunēgoroi声称,作为业余爱好者,他们在审判中处于不利地位。偶尔,他们承认希望通过展示修辞能力来提升自己的名声。无论演讲者采取何种立场,这些策略都增加了阿提卡演讲的复杂质感。我们发现了各种各样的方法,例如:安提丰在略带电离的阿提卡语中华丽地承认了自己的修辞不足;吕西亚斯在代表自己时假扮成法医新手;狄纳古斯在模仿一个无话可说的人;莱库格斯警告陪审团,被告将(错误地)把自己说成一个受到恶意检察官攻击的业余爱好者。而一位演说家,无论多么虚伪地向他的听众讲述了他自己对强大的修辞挑战的感觉,因此可能会更好地准备好即兴应对对手的演讲。阿尔西达马斯是即兴创作的拥护者,他会对此表示同情。
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来源期刊
Trends in Classics
Trends in Classics CLASSICS-
CiteScore
0.40
自引率
50.00%
发文量
9
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