"Incest, Blood, Shame. Are They Not Enough to Make One Feel Sinful?": Miltonic Figurations of Incest and Disobedience in Philip Roth's American Pastoral

Q2 Arts and Humanities Philip Roth Studies Pub Date : 2020-03-20 DOI:10.5703/philrothstud.16.1.0033
Rl Goldberg
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引用次数: 2

Abstract

ABSTRACT:This article considers, as its starting point, Roth's indebtedness in American Pastoral (1997) to John Milton's Paradise Lost. In particular, this article is concerned with representations of incest in both texts. Drawing on Milton's cosmology, Roth in American Pastoral situates father-daughter incest as the primary scene of destruction. Further, this essay considers the strange positing of incest in Zuckerman's fictional account of the Swede and the foundational status incest is accorded in the problem of undoing the pastoral. Narratively foundational, incest in this novel is for Roth, as it is for Milton, chronologically inseparable from the failures of the liberal state; that is, incest becomes a metonym for the paradise lost.
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“乱伦、流血、耻辱。它们还不足以让人感到有罪吗?:菲利普·罗斯《美国牧歌》中对乱伦和不服从的弥尔顿式比喻
摘要:本文以罗斯在《美国田园》(1997)中对弥尔顿《失乐园》的借鉴为出发点。这篇文章特别关注的是两篇文章中对乱伦的表现。借鉴弥尔顿的宇宙观,罗斯在《美国田园》中把父女乱伦作为毁灭的主要场景。此外,本文还考虑了在祖克曼虚构的瑞典人的故事中对乱伦的奇怪假设,以及乱伦在解除牧区问题中的基本地位。从叙事上讲,这本小说中的乱伦对罗斯和弥尔顿来说,都是与自由国家的失败分不开的;也就是说,乱伦成了失乐园的转喻。
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Philip Roth Studies
Philip Roth Studies Arts and Humanities-Literature and Literary Theory
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