{"title":"Investigating the condition of iron gall ink drawings: developing an assessment survey","authors":"J. Kosek, C. Barry","doi":"10.1080/19455224.2019.1656660","DOIUrl":null,"url":null,"abstract":"Abstract It is well established that iron gall ink causes deterioration and embrittlement of paper in the presence of one or more risk factors, such as unstable ink components, high humidity and unsafe handling, with the ink changing colour from black to shades of brown. As iron gall ink has been the prevailing drawing medium in the West from medieval times to the eighteenth century, with its use declining into the twentieth century, monitoring the condition of iron gall ink drawings is of great concern to all custodians of graphic art collections. Selected iron gall ink drawings have been examined using visual methods in the British Museum Prints and Drawing collection to identify, assess and describe condition issues specific to the medium. This has led to the production of a reference catalogue of damage, which has underpinned this draft-design for a condition survey tool. This survey has then been developed with input from conservators at the Albertina, Vienna, Kupferstichkabinett Staatliche Museum zu Berlin, Musée du Louvre, Paris, Rijksmuseum, Amsterdam and the Statens Museum for Kunst, Copenhagen, based on the material from their collections. This article presents the pilot project used to test the survey alongside its initial validation and outcomes.","PeriodicalId":43004,"journal":{"name":"Journal of the Institute of Conservation","volume":"42 1","pages":"191 - 209"},"PeriodicalIF":0.5000,"publicationDate":"2019-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/19455224.2019.1656660","citationCount":"3","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Institute of Conservation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/19455224.2019.1656660","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 3
Abstract
Abstract It is well established that iron gall ink causes deterioration and embrittlement of paper in the presence of one or more risk factors, such as unstable ink components, high humidity and unsafe handling, with the ink changing colour from black to shades of brown. As iron gall ink has been the prevailing drawing medium in the West from medieval times to the eighteenth century, with its use declining into the twentieth century, monitoring the condition of iron gall ink drawings is of great concern to all custodians of graphic art collections. Selected iron gall ink drawings have been examined using visual methods in the British Museum Prints and Drawing collection to identify, assess and describe condition issues specific to the medium. This has led to the production of a reference catalogue of damage, which has underpinned this draft-design for a condition survey tool. This survey has then been developed with input from conservators at the Albertina, Vienna, Kupferstichkabinett Staatliche Museum zu Berlin, Musée du Louvre, Paris, Rijksmuseum, Amsterdam and the Statens Museum for Kunst, Copenhagen, based on the material from their collections. This article presents the pilot project used to test the survey alongside its initial validation and outcomes.
期刊介绍:
The Journal of the Institute of Conservation is the peer reviewed publication of the Institute of Conservation (Icon). As such, its aims reflect those of Icon, to advance knowledge and education in conservation and achieve the long term preservation and conservation of moveable and immoveable cultural heritage. The Journal provides a collective identity for conservators; it promotes and supports both the profession and professionalism. With international contributions on all aspects of conservation, it is an invaluable resource for the heritage sector. The specific aims of the Journal are to: 1. promote research, knowledge and understanding of cultural heritage conservation through its history, practice and theory 2. provide an international forum to enable and disseminate advances in research, knowledge and understanding relating to conservation and heritage 3. champion and support professional standards of heritage conservation in the UK and internationally 4. provide a permanent record of issues relating to conservation and heritage 5. be financially and operationally sustainable. To achieve these aims, the Journal invites contributions from all those involved in the conservation of cultural heritage and related activities. Areas of interest include understanding cultural heritage materials and their degradation; subject reviews and histories of cultural heritage materials and conservation treatments; new, innovative or improved approaches to conservation and collections care theory, practice, communication, management and training; case studies demonstrating new, innovative or improved approaches; and conservation in its wider context. Submitters are encouraged to demonstrate how their work is of practical application to conservation. To maintain professional standards and promote academic rigour, submissions of articles and shorter notices are subject to an anonymous peer review process.