Writing Pretty: On Self-Cannibalism and Disfigured Tongues

IF 0.3 3区 文学 0 LITERATURE Life Writing Pub Date : 2023-06-14 DOI:10.1080/14484528.2023.2222340
Natacha Yazbeck
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Abstract

ABSTRACT This essay brings to the fore a condition that afflicts the tongues of those of us attempting to speak: through bearing witness so that history will not forget us, we consume ourselves beyond recognition or repair. Drawing on my interior life as Lebanese, Arab, Arab-American and a former journalist, I make the case that the near-universal framing of ongoing crises in Lebanon as unprecedented enables, and indeed makes necessary, witnessing outside history. This essay makes plain passions and superlatives, endemic to our language as writers in and of English, which amputate the very possibility of a collective. Nowhere is this more at play than in the plethora of first-person witnessing and personal essays following the 4 August 2020 port bombing of Beirut. Ultimately, this essay raises the question of how, and whether it is possible, to speak without consuming the self. As a means of redressing that question, this essay espouses the language of those doing the living, or ‘surviving.’ It does not feature translations. To borrow from Toni Morrison, this essay does not speak for, nor does it speak to. It speaks among.
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写得漂亮:关于自我食人和毁容的舌头
这篇文章突出了一个困扰着我们这些试图说话的人的问题:通过作证,让历史不会忘记我们,我们消耗了自己,以至于无法辨认或修复。根据我作为黎巴嫩人、阿拉伯人、阿拉伯裔美国人以及前记者的内心生活,我提出了这样一个案例:对黎巴嫩正在发生的危机的近乎普遍的看法是前所未有的,这使得见证外部历史成为可能,而且确实是必要的。这篇文章用通俗易懂的激情和最高级来表达我们的语言,作为英语和英语的作者,这切断了集体的可能性。在2020年8月4日贝鲁特港口爆炸事件发生后,大量的第一人称目击和个人文章最能体现这一点。最后,这篇文章提出了一个问题,即如何以及是否有可能在不消耗自我的情况下说话。作为解决这个问题的一种手段,这篇文章支持那些活着的人或“幸存者”的语言。它不提供翻译功能。借用托妮·莫里森的话,这篇文章既不代表什么,也不代表什么。它在彼此之间说话。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Life Writing
Life Writing LITERATURE-
CiteScore
0.80
自引率
25.00%
发文量
38
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