{"title":"A Single Item Measure for Identifying Musician and Nonmusician Categories Based on Measures of Musical Sophistication","authors":"J. D. Zhang, Emery Schubert","doi":"10.1525/MP.2019.36.5.457","DOIUrl":null,"url":null,"abstract":"Musicians are typically identified in research papers by some single item measure (SIM) that focuses on just one component of musicality, such as expertise. Recently, musical sophistication has emerged as a more comprehensive approach by incorporating various components using multiple question items. However, the practice of SIM continues. The aim of this paper was to investigate which SIM in musical sophistication indexes best estimates musical sophistication. The Ollen Musical Sophistication Index (OMSI) and the Goldsmiths Musical Sophistication Index (Gold-MSI) were analyzed. The OMSI musician rank item (“Which title best describes you?”) was observed to be the best SIM for predicting OMSI and Gold-MSI scores. Analysis of the OMSI item indicated three parsimonious musical identity categories (MIC); namely, no musical identity (NMI), musical identity (MI), and strong musical identity (SMI). Further analyses of MIC against common SIMs used in literature showed characteristic profiles. For example, MIC membership according to years of private lessons are: NMI is < 6 years; MI is 6–10 years; and SMI is > 10 years. The finding of the study is that the SIM of musician rank should be used because of its face validity, correlation with musical sophistication, and plausible demarcation into the three MIC levels.","PeriodicalId":47786,"journal":{"name":"Music Perception","volume":null,"pages":null},"PeriodicalIF":1.3000,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1525/MP.2019.36.5.457","citationCount":"42","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Perception","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1525/MP.2019.36.5.457","RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 42
Abstract
Musicians are typically identified in research papers by some single item measure (SIM) that focuses on just one component of musicality, such as expertise. Recently, musical sophistication has emerged as a more comprehensive approach by incorporating various components using multiple question items. However, the practice of SIM continues. The aim of this paper was to investigate which SIM in musical sophistication indexes best estimates musical sophistication. The Ollen Musical Sophistication Index (OMSI) and the Goldsmiths Musical Sophistication Index (Gold-MSI) were analyzed. The OMSI musician rank item (“Which title best describes you?”) was observed to be the best SIM for predicting OMSI and Gold-MSI scores. Analysis of the OMSI item indicated three parsimonious musical identity categories (MIC); namely, no musical identity (NMI), musical identity (MI), and strong musical identity (SMI). Further analyses of MIC against common SIMs used in literature showed characteristic profiles. For example, MIC membership according to years of private lessons are: NMI is < 6 years; MI is 6–10 years; and SMI is > 10 years. The finding of the study is that the SIM of musician rank should be used because of its face validity, correlation with musical sophistication, and plausible demarcation into the three MIC levels.
期刊介绍:
Music Perception charts the ongoing scholarly discussion and study of musical phenomena. Publishing original empirical and theoretical papers, methodological articles and critical reviews from renowned scientists and musicians, Music Perception is a repository of insightful research. The broad range of disciplines covered in the journal includes: •Psychology •Psychophysics •Linguistics •Neurology •Neurophysiology •Artificial intelligence •Computer technology •Physical and architectural acoustics •Music theory