The Geopolitical and Socioeconomic Factors of Digitization in Vietnam: Technology Adoption in the Art and Cultural Sector During the Covid-19 Pandemic

Emma Duester
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引用次数: 1

Abstract

Abstract This paper argues that there is an emergent digital culture in the art and cultural sector in Hanoi, which is producing a paradigm shift in the nature of work for cultural professionals, the way of preserving and displaying art collections, as well as the nature of international connections. The advent of the “fourth industrial revolution” in Vietnam has brought about advances in digitization. While this transition is crucial in achieving national sustainable development goals, Vietnam remains at a disadvantage on a global scale due to country-specific challenges in digitization that include lack of human, technical, and financial resources. These challenges are hindering the pace and quality of the digitization process and impeding the ability of cultural professionals to utilize digital platforms. In addition, the global digital divide is having impacts on access, inclusion, and representation. This shows that the challenges faced in the digitization process are not only about access to technology but also about much more deep-seated issues related to culture, history, and social inequalities. This is especially pertinent during the Covid-19 pandemic, which has highlighted inequalities in access and inclusion. The research draws on 20 semi-structured interviews with cultural professionals across Hanoi. The interviews were carried out during the Covid-19 pandemic and addressed its impact on digitization projects and the use of digital technologies for work. The findings show how geopolitical and socioeconomic factors can suppress the ability to adopt new digital technologies, which is hindering the ability to exploit the opportunities of digitization. Yet, the Covid-19 pandemic has allowed more time to focus on digitization projects and to utilize digital tools and platforms, especially with free open-source software or platforms such as Facebook. This has become one route toward exploiting the opportunities of digitization for increased exposure, creation of digital resources, and rebalancing the discourse and amount of content circulating online regarding Vietnamese art and culture.
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越南数字化的地缘政治和社会经济因素:新冠疫情期间艺术和文化领域的技术采用
摘要本文认为,河内的艺术和文化部门出现了一种新兴的数字文化,它正在文化专业人员的工作性质、艺术收藏的保存和展示方式以及国际联系的性质方面产生范式转变。越南“第四次工业革命”的到来带来了数字化的进步。尽管这一转变对实现国家可持续发展目标至关重要,但由于数字化方面的具体国家挑战,包括缺乏人力、技术和财政资源,越南在全球范围内仍处于劣势。这些挑战阻碍了数字化进程的速度和质量,也阻碍了文化专业人员利用数字平台的能力。此外,全球数字鸿沟正在对获取、包容和代表性产生影响。这表明,数字化过程中面临的挑战不仅涉及技术的获取,还涉及与文化、历史和社会不平等有关的更深层次的问题。在新冠肺炎大流行期间,这一点尤为重要,这突出了在获取和融入方面的不平等。这项研究利用了对河内各地文化专业人士的20次半结构化采访。采访是在新冠肺炎大流行期间进行的,讨论了其对数字化项目和工作中使用数字技术的影响。研究结果表明,地缘政治和社会经济因素会抑制采用新数字技术的能力,从而阻碍利用数字化机会的能力。然而,新冠肺炎疫情让更多的时间专注于数字化项目,并利用数字工具和平台,尤其是使用免费开源软件或Facebook等平台。这已成为利用数字化机会增加曝光率、创建数字资源以及重新平衡网上流传的关于越南艺术和文化的话语和内容数量的一条途径。
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来源期刊
Data and information management
Data and information management Management Information Systems, Library and Information Sciences
CiteScore
3.70
自引率
0.00%
发文量
0
审稿时长
55 days
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