Gender and Violence: The Multivalent Voices of a Cannibalized Concubine in Late Imperial Chinese Literature

IF 0.2 3区 文学 0 ASIAN STUDIES Journal of Chinese Literature and Culture Pub Date : 2023-04-01 DOI:10.1215/23290048-10362483
Guojun Wang, Guo Yingde
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Abstract

Abstract:Recent studies of Chinese history and literature have revealed the important role of violence—actual and representational—in constructing gendered subjectivities in late imperial China. This article investigates the relationship between violence and female agency through a case study of literary representations of a concubine who was cannibalized during the defense of Suiyang amid the An Lushan Rebellion (755–763) in the Tang dynasty. As a result of that event, the ethically questionable act of cannibalism engendered an assortment of writings down through late imperial China. Although historical writings before the Ming dynasty frequently praise the concubine's husband for sacrificing her, a series of dramatic works starting in the Ming feature the concubine character in contention with her husband. This paper parses those materials to reveal vastly different characterizations of the cannibalized woman—as a loyal concubine, a female knight-errant, an independent state subject, and a maternal deity. We suggest that authorship, generic traditions, family-state dynamics, ethnic relations, and religions together influenced the representations of the concubine. In particular, moving further away from the literati writing tradition, literature and performance derived from the story ascribed increasingly potent agency to the concubine character in late imperial China.
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性别与暴力:中国帝国晚期文学中一个被吃掉的妃子的多重声音
摘要:近年来对中国历史和文学的研究揭示了暴力——现实的和再现的——在帝制晚期中国建构性别主体性的重要作用。本文以唐代安禄山之乱(755-763)隋阳保卫战中一个被吃掉的妃子的文学表现为例,探讨暴力与女性代理之间的关系。这一事件的结果是,在帝制晚期的中国,这种道德上有问题的吃人行为产生了各种各样的文字。虽然明朝以前的历史著作经常赞扬嫔妃的丈夫牺牲了她,但从明朝开始的一系列戏剧作品中,嫔妃的角色与她的丈夫争论。本文通过对这些材料的分析,揭示了被食人女子的不同形象——忠诚的妾、女游侠、独立的国家主体和母性的神。作者身份、一般传统、家庭国家动态、民族关系和宗教共同影响了妾的表征。特别是,与文人写作传统渐行渐远的是,在帝制晚期的中国,从这个故事衍生出来的文学和表演将越来越强大的力量归功于嫔妃的性格。
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