“Open” and “Closed” Homes: Sustainability and the Aesthetic Ecologies of Things

IF 0.5 4区 艺术学 0 ARCHITECTURE Home Cultures Pub Date : 2022-10-14 DOI:10.1080/17406315.2022.2129174
Florencia Muñoz, T. Errázuriz, R. Greene
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Abstract

Abstract This article explores the relationship between the aesthetic ecologies of homes in different socioeconomic sectors, and their disposition towards conserving or discarding objects. More specifically, it analyses how domestic practices, the ways homes are produced and maintained, can impinge on a greater or lesser propensity towards sustainable forms of life. Based on qualitative work carried out in homes of upper and working classes in the city of Santiago, Chile, we distinguish three relevant dimensions that would explain such tendency: materiality, functionality, and temporality. Whereas upper class homes are characterised by more “closed” and restricted ecologies, that strongly resist sustainable practices, working class homes present a more open aesthetics ecologies, with lineal temporalities and multifunctional spaces that explain to a great extent their propensity towards the coexistence of diverse materials and objects.
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“开放”与“封闭”的家园:可持续性与物的美学生态
摘要本文探讨了不同社会经济阶层家庭的美学生态与他们对保存或丢弃物品的倾向之间的关系。更具体地说,它分析了家庭实践,即房屋的生产和维护方式,如何或多或少地影响可持续生活形式的倾向。基于在智利圣地亚哥市上层阶级和工人阶级家庭中进行的定性研究,我们区分了三个相关维度来解释这种趋势:物质性、功能性和时间性。上层阶级的住宅以更“封闭”和受限的生态为特征,强烈抵制可持续实践,而工人阶级的住宅则呈现出更开放的美学生态,具有线性的时间性和多功能的空间,这在很大程度上解释了他们倾向于多种材料和物体共存。
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来源期刊
Home Cultures
Home Cultures ARCHITECTURE-
CiteScore
0.80
自引率
0.00%
发文量
12
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